Michael's enveloping film score to Ron Fricke's pandimensional time lapse IMAX film masterpiece. This is a package tour through time and space, with ports of call throughout the ancient and modern worlds. Michael guides us on an aural journey that is tuned to the time scales and rhythms of the sets… the slow steady march of Nature, the measured acceleration of the Egyptian movement, and the free fall through a window-in-time into classical civilization. Finally, a roller coaster ride of music, as the film careens through Paris, New York, and Los Angeles.
After decades of recording for RCA Victor, Atkins switched labels; this 1985 effort is a summit meeting of sorts with young guitar hotshots like Larry Carlton, George Benson, Mark Knopfler, Steve Lukather, and Earl Klugh, plus session A-teamers like Boots Randolph, Larrie Londin, David Hungate, Mark O'Connor and others. Atkins' tone is, as usual, faultless, and his playing superb. If the "meetings" don't always come off, it's usually due to the overzealousness of the other guitar players (Lukather's over-the-top style screams '80s big hair, for instance), not Chet, whose playing always exercises the utmost in restraint in every situation. All in all, a good modern-day Chet Atkins album, but not the place to start a collection.
Blue Öyster Cult marks time with a second live album on which they turn out good, if redundant, concert versions of recent favorites like "(Don't Fear) The Reaper" and "Godzilla" and add to their repertoire of live covers such oldies as the MC5's "Kick out the Jams" and the Animals' "We Gotta Get out of This Place." A perfectly acceptable, completely unnecessary souvenir record from a hard-touring band of the '70s. (It should perhaps be noted that the mid- to late '70s was a period when more live albums than usual were being released, especially in the wake of Peter Frampton's massively successful 1976 album Frampton Comes Alive!.)
16 Greatest Hits is a compilation album by Steppenwolf, released in 1973. It features some of their most famous songs, including "Born to Be Wild", "The Pusher", and "Magic Carpet Ride", and "Hey Lawdy Mama." The album consisted of the 11 tracks from the previous Gold: Their Great Hits album, in the same order as on the two sides of that earlier album, with the addition of the final two tracks on side 1, and the final three tracks on side 2. This album was originally issued as Dunhill 50135, and later as ABC/Dunhill with the same number, on LP, 8-track cartridge, and cassette.