Ian Hill

As a solo artist, Ian Gillan had his share of fine moments in the studio, but it was on-stage where he was at his best – a fact underscored by Live at the Budokan. First released as a two-LP set in 1982 and reissued on a single CD in the early '90s, Budokan boasts strong extended versions of Purple classics like "Smoke on the Water," "Woman from Tokyo," and the moody ballad "Child in Time," as well as some songs he'd recorded for his solo projects, including "Clear Air Turbulence," "Money Lender," and "Over the Hill." The CD's liner notes are atrocious (no personnel are listed), but the performances themselves – though not in a class with Purple's Made in Japan – are generally impressive. If you acquire only one of Gillan's post-Purple recordings, this would be the best choice.

Forty-some years into his life as a verified metal god, it probably seemed like as good a time as any for Rob Halford to make a Christmas album. As the singer for Judas Priest, Halford's distinctive and versatile voice screamed, growled and wheezed through some of the most recognizable hard rock anthems of all time. Instantly recognizable, Halford's singing came to embody all the danger, rebellion, and hedonism that heavy metal itself strived for. There's an hefty dose of self-awareness and irony in Celestial, a collection of metalized Christmas carols and traditional holiday tunes, and a few Halford originals in the holiday vein. The raging and sinister "Donner and Blitzen" is one such original, and its over-the-top production, heavy-handed delivery, and retro riffing come dangerously close to parody.

After leaving Deep Purple in June 1973, Ian Gillan had retired from the music business to pursue other business ventures, including motorcycle engines, a country hotel / restaurant (with a guitar shaped swimming pool), and ownership of the Kingsway Recorders studio, where from April 1974 he began to work on his first post-Deep Purple solo tracks…