This soundtrack to the movie features an astonishing array of blues artists from three generations. Recorded during one long night at NYC's Radio City Music Hall on Feb. 7, 2003, the electricity is in the air and on stage. While it may not have been the finest blues show in history, the collection of founding fathers such as David "Honeyboy" Edwards, Buddy Guy, Clarence "Gatemouth" Brown, Larry Johnson, Hubert Sumlin, Solomon Burke, and the ubiquitous B.B. King along with their spiritual offspring (Gregg Allman, John Fogerty, and Steven Tyler) and some usual suspects like Bonnie Raitt, Robert Cray, and Keb' Mo', makes it arguably the most significant blues session ever captured on film. Beginning acoustic, the double disc builds momentum and volume as we hear the blues mutate to electric and finally hip-hop with Chuck D. exploding on a rap version of John Lee Hooker's "Boom Boom".
The Stones in the Park generally refers to a free outdoor festival held in Hyde Park on 5 July 1969, headlined by The Rolling Stones and featuring Third Ear Band, King Crimson, Screw, Alexis Korner's New Church, Family and Battered Ornaments, in front of a crowd estimated at between 250,000 and 500,000 fans.
It was the Stones' first public concert in over two years, and was planned as an introduction of new guitarist, Mick Taylor, though circumstances inevitably changed following the death of former member Brian Jones two days earlier.
Two CD set featuring the first official release of this legendary live performance, recorded in Maryland in 1979. The New Barbarians were a live-only band consisting of Rolling Stones members Keith Richards and Ronnie Wood, Jazz great Stanley Clarke, former Faces/Small Faces keyboardist Ian McLagan, Bobby Keys and Ziggaboo Modeliste. 20 tracks including 'Sweet Little Rock 'N Roller', 'Love In Vain', 'Let's Go Steady', 'Before They Make Me Run', 'Jumping Jack Flash', 'Seven Days' and more. Includes an eight page full color booklet with extensive liner notes. Released on Ron Wood's Wooden Records label.
To coincide with the electronica revolution of the late '90s, Bill Laswell remixed a number of Bob Marley records as ambient dub for the Dreams of Freedom: Ambient Translations of Bob Marley in Dub album. If these songs were remixed by any other producer, the results could have been disastrous, but Laswell is one of the masters of intellectual dub – he knows what to take out and what to add, creating a spacious, cavernous mix that is provocative without being extreme. Some longtime Marley fans will balk at the very idea of the album, but the results are undeniably impressive, even if it's a little too restrained and cerebral to qualify as first-rate ambient dub for clubs.
Medusa is the second solo album by the Scottish singer Annie Lennox, released in March 1995, and consists entirely of cover songs. It entered the UK Albums Chart at number 1 and peaked in the United States at number 11, spending 60 weeks on the Billboard 200 chart. It has since achieved double platinum status in both the United Kingdom and the United States and sold more than 6 million copies worldwide. Although no tour was held to promote this album, Lennox played a one-off concert in Central Park, New York City on 9 September 1995. This was subsequently released on videotape as Annie Lennox in the Park and on DVD as Annie Lennox Live in Central Park. In 1998, BMG International released Medusa/Live in Central Park, which contained two complete albums – Medusa (1995, originally released on Arista) and Live in Central Park (1996, also originally released on Arista) – by Annie Lennox on one compact disc.