Indebted 2

Zhu is exceptional among Chinese composers of his generation for his remarkable capacity to adapt himself to the changing political climate. After his studies in Moscow his brazenly Romantic music was criticized in China for its revisionist spirit and he stopped composing for a while. In the late 1960s he was swept along by the revolutionary ardour of the Maoists and began to compose choral cantatas on texts of Mao Zedong. By the end of the Cultural Revolution he had lost faith in his political music and in himself, but in the 1980s he embarked on an astonishing second career as an orchestral composer of in contemporary and even experimental inclinations.

For the first time, this edition makes available Herbert von Karajan's previously unreleased early live recordings from the Lucerne Festival, made in a decade during which Karajan was rebuilding his career. Included are legendary soloists such as Clara Haskil and Géza Anda, Robert Casadesus and Nathan Milstein.

Bach at his most extrovert and exhilarating: new, period-instrument accounts of the earliest masterpieces in the lineage of keyboard concertos.

This album brings together the works of seven very different composers in a single songbook. Most of the pieces were written specially for countertenor Andrew Watts, who has championed contemporary music for the thirty years he has been singing professionally. He has established a reputation for being one of the foremost operatic countertenors of his generation and has appeared on opera and concert platforms throughout the world.

Technodelic is the fifth studio album by Yellow Magic Orchestra. The album is notable for its experimental and heavy use of digital samplers which were not commonly used until the mid-to-late 1980s, resulting in a more minimalist sound compared to their previous work. It is considered the first released album to feature mostly samples and loops, influencing the heavy use of sampling and looping in popular music. Yellow Magic Orchestra's approach to sampling music was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology.

Founded in 2002, this catalog has been an essential resource for performers, composers, teachers, scholars, and others who are interested in programming or studying works with horn by women composers. The catalog includes solo and chamber music with horn (original works, up to 12 instruments) by women composers from around the world. Almost 2,200 pieces are listed and the catalog is continuing to be updated. I welcome your additions, corrections, and questions. Please contact me using this link. In order to be more inclusive, I have changed the name of this catalog to Women Composers instead of Female Composers. This catalog includes any composer who identifies as a woman.

Bach at his most extrovert and exhilarating: new, period-instrument accounts of the earliest masterpieces in the lineage of keyboard concertos.

Indebted to the wrong people, with his life on the line, veteran of the U.S. Cavalry and now hired gun, Booker DeWitt has only one opportunity to wipe his slate clean. He must rescue Elizabeth, a mysterious girl imprisoned since childhood and locked up in the flying city of Columbia. Forced to trust one another, Booker and Elizabeth form a powerful bond during their daring escape.

Indebted to the wrong people, with his life on the line, veteran of the U.S. Cavalry and now hired gun, Booker DeWitt has only one opportunity to wipe his slate clean. He must rescue Elizabeth, a mysterious girl imprisoned since childhood and locked up in the flying city of Columbia. Forced to trust one another, Booker and Elizabeth form a powerful bond during their daring escape.

Paul Ben-Haim ranks among those leading Israeli composers from his generation.