When Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early '70s, he produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, the unnecessary perils of urban life, and what looked to be the failure of the '60s dream – all set within a collection of charts as funky and catchy as any he'd written before…
When Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early '70s, he produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, the unnecessary perils of urban life, and what looked to be the failure of the '60s dream – all set within a collection of charts as funky and catchy as any he'd written before…
Unlike rock bands, dance acts tend to go for the remix collection over the live album when they want to wring out their back catalogue. And, despite the name, Ame's Live is much more in the former mould. Although comprised of live recordings from the past two years, Live is very much a studio creation, with reworked versions of their own "greatest hits" and remixes for the likes of UNKLE and Underworld compressed into one continuous set. It's also ostensibly a celebration of Frank Wiedemann and Kristian Beyer's first decade together, but while the form might be fresh, you suspect the motives behind putting it out might be more stale.
When Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early '70s, he produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, the unnecessary perils of urban life, and what looked to be the failure of the '60s dream – all set within a collection of charts as funky and catchy as any he'd written before.
Possibly the most influential artist of all time, Wonder has sold over 100 million albums and continues to produce music today.
This release will take you back to the Motown days and bring you up to the present, through the best live performance footage and the most knowledgeable of critics. Including: Interview with Lloyd Bradley, journalist and author; one of the most prominent and respected authorities from the black music scene. Bradley began contributing to NME in the 80's and has written for countless other since. Interviews with Geoff Brown and Phil Sutcliffe, veteran journalists with a combined portfolio including MOJO, Black Music Magazine, The Face, Q and Smash Hits.