Four-time SESAC Award-winning and Grammy nominee Pianist/Arranger Bob Baldwin continues his flow of music, and follows up with his tributes to Michael Jackson and Songwriter extraordinaire Thom Bell with his MelloWonder/Songs In the Key of Stevie CD. MelloWonder… takes some of his favorite songs from the catalog of Stevie Wonder, and particularly a huge chunk between 1969-1974, when Baldwin believes this was the beginning of an era where Wonder turned the keyboard into a “one-man orchestra.” The project is a dream project, which took two years to complete.
Fulfillingness' First Finale is a 1974 album by Stevie Wonder; widely considered one of the albums from his "classic period". Released on July 22, 1974 on the Tamla label, it is Wonder's nineteenth album overall, and seventeenth studio album. According to Billboard magazine, it was Wonder's first studio album to top the Pop Albums chart where it remained for two weeks, while it was his third album to top the R&B/Black Albums chart where it spent nine non-consecutive weeks.
A stunning second set from Hiatus Kaiyote – a group we already loved the first time around, but who really blow us away with this amazing little record! The style is this incredible mix of cosmic keyboards and soulful vocals – but not in a way that's like any of the other oft-tread paths in that combination on the market at all. Instead, the group almost put the keyboards first – working from some Herbie Hancock electric 70s mode, but very much with their own style – then find a key place for the sublime singing of Nai Palm – a vocalist who's got this style that's heavenly, and almost with her own sort of electricity as well. Individual tunes are great, but the whole thing really works together as one long sonic trip – a mindbending journey through tracks that include "Prince Minikid", "Shaolin Monk Motherfunk", "Laputa", "Borderline With My Atoms", "Swamp Thing", "Fingerprints", and "The Lung".