Innervisions

After the righteous anger and occasional despair of the socially motivated Innervisions, Stevie Wonder returned with a relationship record: Fulfillingness' First Finale. The cover pictures his life as an enormous wheel, part of which he's looking ahead to and part of which he's already completed (the latter with accompanying images of Little Stevie, JFK and MLK, the Motor Town Revue bus, a child with balloons, his familiar Taurus logo, and multiple Grammy awards)…

In a career spanning four decades Steveland Judkins Morris has been many things: child star, funk hero, political chronicler, the saviour of Motown Records and depressingly, the instigator of the painfully schmaltzy R&B ballad. Thankfully, this exhaustive "Best Of…", timed to commemorate the 40th anniversary of his first appearance as Little Stevie Wonder, focuses mainly on the 1966-1980 glory years and his transition from incendiary soul man to voice of the 70s. The jackhammer beats, shout-along choruses and wailing harmonica peg "Uptight", "Signed, Sealed, Delivered" and "I Was Made To Love Her" as three of the finest anthems of the Motown era, and "My Cherie Amour" as one of its sweetest love songs. But it was when he turned his attention to grinding keyboard grooves and social concerns that Wonder really came into his own

"The 500 Greatest Albums of All Time" is a 2003 special issue of American magazine Rolling Stone, and a related book published in 2005. The lists presented were compiled based on votes from selected rock musicians, critics, and industry figures, and predominantly feature British and American music from the 1960s and 1970s. From 2007 onwards, the magazine published similarly titled lists in other countries around the world.

Gary Clark Jr.’s forthcoming album entitled JPEG RAW, his fourth studio release,marks a grand step in his musical evolution. A powerful and expansive artistic statement.While retaining the deep and true resonance of his blues foundations and guitar virtuosity with subtlety yet conviction, he reaches well beyond this time.The emphasis here is on song and studio craft without losing the rawness of his young legend. (Rolling Stone Magazine called him, The Chosen One).The music is dense and adventurous with a more cohesive synthesis of his eclectic musical palette. Hip samples, Thelonious Monk and Sonny Boy Williamson decorate flourishes of African, World Music, even Jazz while merging with blues , rock, R&B and rap; familiar areas he has ventured before, this time with more unity forging a fresh new style. Clark’s lyrics are pointed, deeply personal, outspoken and socially conscious with occasional forays into rap and spoken word from Clark himself.