English Tone Pictures by Sir John Barbirolli - Side One features two very gifted composers in John Ireland and Arnold Bax, Band 1 features John Ireland (1879-1962) who is described as one of the most gifted composers of the English 'Renaissance'. Arnold Bax confessed himself a brazen romantic; yet his romanticism was as much intellectual as purely emotional, and though his music is full of personal feeling he was not an emotionally self indulgent composer.
Irish rockers U2 celebrated St. Patrick’s Day by launching their “Virtual Road” concert series with the first-ever digital broadcast of U2 Go Home: Live From Slane Castle. The 2001 concert features the band at the legendary venue, just outside of Dublin.
Hyperion’s record of the month for January presents, for the first time, the original version of Delius’s Piano Concerto. Two years after completing this work in 1904, Delius recast it, rejecting the third movement and reorganizing other material. Perhaps thinking that the solo part wasn’t sufficiently pianistic, Delius also consulted a friend, the Busoni pupil Theodor Szántó, who rewrote the piano part in virtuoso style (with Delius’s ultimate approval). It is the Szántó version that has, until now, always been performed. With Delius’s original, characteristically refined orchestration also restored (from the orchestral parts that survive from the first performance in 1904), we can now hear this work as the composer envisaged before the involvement of another hand.
Larry Coryells Last Swing With Ireland contains guitarist Larry Coryell’s final studio outing recorded in Dublin during May 2016. Coryell was in town working at The Sugar Club with his hand-picked local rhythm section of Dave Redmond (bass) and Kevin Brady (drums). Incidentally, Angel Air promise a release of a live performance at the club by the trio sometime later this year.
Stefan Sanderling, National Symphony Orchestra of Ireland - Tchaikovsky: Suites for Orchestra Nos. 3 & 4.
The playing of the excellent National Symphony Orchestra of Ireland - another Naxos discovery - is polished and sympathetic to the Tchaikovskian ardour… A fine, super bargain.
Alexander Anissimov’s 1997 Naxos one with National Symphony Orchestra and RTÉ Philharmonic Choir…Helen Field, singing for Anissimov, is a real delight in the slow movement, poignant, lyrical and clear in enunciation in a performance that has two fine Russians (tenor Ivan Choupenitch and baritone Oleg Melnikov) as the other soloists and an approach to the score that transmits a broad, well honed spectrum of emotion.
Listen as Niklas Willén teases the skittish polka (No. 6) from Alfvén's 'The Prodigal Son' ballet suite, or steers his players through the vehement fugue that rounds out his Symphony No. 2, and you'll appreciate why this release commands unreserved praise. Ireland's NSO gives superlative performances, worthy alternatives to Neeme Jarvi's coolly efficient Royal Stockholm Philharmonic accounts on BIS. These works come to life in Willén's hands. For example, he infuses the third section (a festive march) of the ballet music with the requisite proud swagger, while the national dances that follow are engagingly characterised.