Iron+butterfly

UK five CD set containing a quintet of albums housed in mini LP sleeves and packaged together in a slip case. This set from the heavy rockers includes the albums Heavy, In-A-Gadda-Da-Vida, Ball, Live and Metamorphosis.

The heavy, psychedelic acid rock of Iron Butterfly may seem dated to some today, but the group was one of the first hard rock bands to receive extensive radio airplay, and their best-known song, the 17-minute epic "In-A-Gadda-Da-Vida," established that more extended compositions were viable entries in the radio marketplace, paving the way for progressive AOR…

Digitally remastered box set featuring all of the albums and singles recorded by the legendary American acid/progressive rock band Iron Butterfly recorded for Atlantic's Atco label between 1967 and 1971 and additional recordings made at the Fillmore East in New York City in April 1968. Iron Butterfly first came together in San Diego, California in 1966 with a line-up of Doug Ingle (vocals, organ), Danny Weis (guitar), Greg Willis (bass), Jack Pinney (drums) and Darryl DeLoach (vocals). After performing in the San Diego area the band relocated to Los Angeles in search of a recording contract, with Willis soon departing to be replaced by Jerry Penrod on bass. Jack Pinney also departed and was eventually replaced by Ron Bushy. The band’s psychedelic and acid rock style was honed during regular appearances at LA venues such as the Whisky a Go Go and the Galaxy Club, which saw Iron Butterfly develop a loyal following and led to the band signing with Atlantic’s Atco label in 1967…

On Ball, Iron Butterfly began to expand their sound, attempting to write more concisely. On Metamorphosis, the group continued their musical explorations, adding a layered production to their sound. However, only keyboardist/vocalist Doug Ingle was enthusiastic about the band's new musical direction and most of the group refused to participate in the recording of the album, claiming it strayed too far from Iron Butterfly's signature sound. The truth of the matter is the rest of the band was right - under Ingle's direction, the group tries stylistic diversions that they do not have the ability to accomplish, including funk and acoustic ballads. Nevertheless, this ambition makes for an interesting listen, since Iron Butterfly's albums can be weighed down by their relentless heaviness. Despite a handful of strong tracks - particularly the single "Easy Rider (Let the Wind Pay the Way)" - most of the album doesn't hold up on repeated plays.

UK five CD set containing a quintet of albums housed in mini LP sleeves and packaged together in a slip case. This set from the heavy rockers includes the albums Heavy, In-A-Gadda-Da-Vida, Ball, Live and Metamorphosis.

Following the huge success of their second record, In-A-Gadda-Da-Vida, Iron Butterfly scored a second straight Top Five album with Ball. While it didn't have any acid rock freak-out to compare with the epic "In-A-Gadda-Da-Vida," Ball was a more ambitious album, as the group experimented with shorter, more melodic songs. Like any Iron Butterfly album, the quality of the material is wildly inconsistent, yet cut for cut, Ball is a more consistent album than their two previous records, as the group trimmed away some of the acid rock excesses of their earlier records while retaining their brutally loud trademark heavy guitars.

Iron Butterfly's 1968 debut album, Heavy, established the band's trademark sound, relying on plodding, heavy guitar riffs and thundering drums. Most of the album was not particularly well written - the riffs were the songs, not their foundation - but the band's overwhelmingly loud sonic attack occasionally made up for the weakness in the material.

This album stands as something of a minor landmark, musically - as far back as the late '70s, its presence in used record bins attracted a great deal of attention from historically minded collectors, as a genuine live recording of its era, and of a hard rock, heavy metal band, at that. Not too many concert recordings were attempted in hard rock in those days, and even a lot of what was issued in the way of live albums - John Lennon's Live Peace in Toronto and the Rolling Stones' Get Yer Ya-Ya's Out! come to mind - were done under duress, as an attempt to undermine bootlegs that had shown up. And when one considers that Atlantic Records never even got around to recording the Rascals in concert, the very existence of Iron Butterfly Live can only be regarded something of a gift…

With its endless, droning minor-key riff and mumbled vocals, "In-A-Gadda-Da-Vida" is arguably the most notorious song of the acid rock era. According to legend, the group was so stoned when they recorded the track that they could neither pronounce the title "In the Garden of Eden" or end the track, so it rambles on for a full 17 minutes, which to some listeners sounds like eternity…