Released in late 1970 on the heels of two chart-topping albums, Hot Buttered Soul (1969) and The Isaac Hayes Movement (also 1970), Isaac Hayes and the Bar-Kays retain their successful approach on those landmark albums for To Be Continued, another number one album. Again, the album features four songs that span far beyond traditional radio-friendly length, featuring important mood-establishing instrumental segments just as emotive and striking as Hayes' crooning. Nothing here is quite as perfect as "Walk on By," and the album feels a bit churned out, but To Be Continued no doubt has its share of highlights, the most notable being "You've Lost That Lovin' Feelin'." The album's most epic moment opens with light strings and horns, vamping poetically for several minutes before Hayes even utters a breath; then, once the singer delivers the song's orchestral chorus…
First ever CD release for this 1975 instrumental set from Isaac Hayes’ renowned backing band
"Chocolate Chip" is the seventh studio album by American soul musician Isaac Hayes. It was released in 1975 by ABC Records through Hayes' own imprint, Hot Buttered Soul Records, marking Hayes' first release after leaving the then-financially troubled Stax label. The album was Hayes's segue into the emerging disco scene and featured horns and layered beats, while maintaining his traditional soulful vocals. Chocolate Chip garnered two top 20 singles and was Hayes's last hit album in the 1970s.
"Live At The Sahara Tahoe" is the first live album by American soul musician Isaac Hayes. The album, recorded live at the Sahara Hotel & Casino in Lake Tahoe, Nevada, was released in 1973, by Stax Records' Enterprise imprint.
The last album of new material Isaac Hayes released in his lifetime, 1995's BRANDED moves forward and casts a fond look back at the same time. On one hand, there are remakes of two songs from Hayes's `70s glory days, SHAFT's "Soulsville," and "Hyperbolicsyllabicsesquadalymistic" from HOT BUTTERED SOUL. At the same time, Hayes works his patented slow-jam deconstruction methods on something more contemporary by giving Sting's "Fragile" the kind of treatment he once employed to transform `60s pop hits into soul rhapsodies. Even on the album's new compositions, Hayes harks back to his heyday just a bit, teaming up with old cohort David Porter for "Thanks to the Fool," though the production throughout BRANDED is far from retro-sounding.
One of the better and more thoughtful Isaac Hayes compilations, Ultimate Isaac Hayes: Can You Dig It? is a three-disc (two CDs and one DVD) set that covers his years on Stax. There's a wide range of material here, from singles to deep album cuts, that provide a very representative look at these years, and Stax is even wise enough to include "I Stand Accused" and "Walk on By" in their full 12-minute versions. Only minor quibbles could be made with the selections. The third disc, a DVD, contains three songs performed by Hayes at Wattstax. And then there's the cherry – er, some other spherical object – on top: Hayes' performance of Chef's "Chocolate Salty Balls."