Ivan Fischer tunrs his attention to Brahms following three acclaimed and Award-winning recordings of Mahler. Stunning interpretation of Brahms Symphony No.1 – once again Ivan Fisher forces the the listener to re-appraise familiar repertoire…
Absolutely yummy! Brahms orchestrated only a handful of his ever-popular Hungarian Dances. His friend Dvorák did a few more, and the rest exist in a variety of versions by a variety of arrangers. Conductor Iván Fischer has undertaken this job himself in several cases, with really impressive results. His solos and cadenzas for traditional instruments (Gypsy fiddle and cimbalom) sound perfectly idiomatic and tasteful, and his conducting manages to put some of the paprika back into the music without ever making it sound vulgar or mannered.
Dvorák’s Violin Concerto has been undergoing a renaissance of sorts on disc, one that it entirely deserves. Its critics (starting with Joachim and Brahms) dismissed it for not adopting the usual sonata-form first movement structure, instead welding the truncated opening to the gorgeous slow movement. But really, how many violin concertos are there where you can really say that the best, most characterful and highly developed movement is the finale? And what could possibly be bad about that? Clearly Fischer and Suwanai understand where the music’s going: the performance gathers steam as it proceeds, and really cuts loose in that marvelous last movement. Suwani displays a characteristically polished technique and fine intonational ear (lending a lovely purity of utterance to the slow movement), but she’s not afraid to indulge in some “down and dirty” gypsy fiddling in the finale, or in the two Sarasate items that open the program.
Above the album worked the 'Iván Fischer & Budapest Festival Orchestra - Brahms: Symphonies Nos. 1, 2, 3 & 4 and Other Works (Digital Box Edition) ', and his release took place on 2021. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.