J Jazz

Featuring prime Latin jazz cuts from the heyday of the mambo, Afro Cuban Jazz: 1947-1960 is really a better than average showcase for one of the music's best: Machito. In fact, this disc contains 13 sides by Machito & His Orchestra, including two bebop gems featuring Charlie Parker ("Mango Mangue," "No Noise, Pts. 1-2"). That's not to overlook the presence of one of the supreme champions of Latin jazz, Dizzy Gillespie ("Manteca"), Stan Kenton and his mathematically frenetic bongo jams, and J.J. Johnson and Kai Winding teaming up for a couple of classics. Truthfully, however, the real meat here is heard on such Machito dancefloor fillers as "Oyeme" and "Minor Rama." So, when you've got a jones for jazz in a mambo mood, this disc will provide the needed salve.

The J. J. Johnson Quintet - J Is For Jazz (1956) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 79}
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© 1956, 2015 Columbia / Sony Music Japan | SICJ 79
Jazz / Bop / Hard Bop / Trombone

Reissue with the latest 2015 remastering. Comes with liner notes. Nicely sharp sounds from the great JJ Johnson – a set that has the trombonist really honing his edge on a host of tight, short tracks – with a vibe that almost recalls his initial bop recordings on Blue Note and Prestige! The style here is a bit more sophisticated – definitely with an ear towards the modern directions that JJ was exploring in the 50s – but the sound is also nicely spontaneous, with more focus on improvisation between group members than larger arrangements – quite nice, given that the group features excellent tenor from Bobby Jaspar on tenor – and either Tommy Flanagan or Hank Jones on piano, Percy Heath or Wilbur Little on bass, and Elvin Jones on drums. Tracks are short, and titles include "Overdrive", "Cube Steak", "Chasin The Bird", and "Solar".

The Modern Jazz Quartet - The Complete Atlantic Studio Recordings 1956-1964 (2011) {7 CD Box Set Mosaic MD7-249}
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© 1956-64, 2011 Mosaic / Atlantic / Rhino | MD7-249
Jazz / Cool / Bop / Third Stream / Piano / Vibes

That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz, thanks to the unique qualities of personal expression and collective vision of its members Milt Jackson, John Lewis, Percy Heath and Connie Kay (who had replaced original drummer Kenny Clarke by the time the band started recording this music). They were also exceptionally prolific during their tenure at Atlantic Records, producing 14 albums in eight years. And now, that MJQ sound gets the complete respect it deserves, thanks to our new box, The Complete 1956-1964 Modern Jazz Quartet Atlantic Studio Recordings.

One can fault this CD for having brief playing time (a dozen selections totaling less than 33 minutes) and for not including the alternate takes, but the music is beyond criticism. When trombonist J.J. Johnson burst on the scene in the mid-'40s, his speed, fluency and quick ideas put him at the top of his field, where he remained for over a half century. This 1992 CD has the trombonist's first three sessions as a leader, music that qualifies as classic bebop. Johnson is matched with either altoist Cecil Payne, baritonist Leo Parker or tenor great Sonny Rollins (on one of his first dates) in quintets that also include Bud Powell, Hank Jones or John Lewis on piano; Leonard Gaskin, Al Lucas or Gene Ramey on bass; and Max Roach or Shadow Wilson on drums…

Considered by many to be the finest jazz trombonist of all time, J.J. Johnson somehow transferred the innovations of Charlie Parker and Dizzy Gillespie to his more awkward instrument, playing with such speed and deceptive ease that at one time some listeners assumed he was playing valve (rather than slide) trombone. Johnson toured with the territory bands of Clarence Love and Snookum Russell during 1941-1942, and then spent 1942-1945 with Benny Carter's big band. He made his recording debut with Carter (taking a solo on "Love for Sale" in 1943), and played at the first JATP concert (1944)…

Among the many tributes paid to Bird’s memory was a tour by a sextet including musicians closely related to Parker. The leaders were Sonny Stitt, a saxophonist of enormous talent and brilliant technique, and trombonist J.J. Johnson, one of the fathers of bebop. Apart from their associations with Parker, all of the musicians on this sextet were well known stars in their own right, and it is refreshing to see more footage of rarely filmed jazzmen like Johnson, Stitt and Howard McGhee.

Robert Jan Meyer also started his own compilation series: "Science Fiction Jazz 1-12 (Vol. 1 at the same time, was the beginning of the "Mole Listening Pearls"- Label) and "Batucada 1-3". He compiled the double CD "Blue Note Weekend" for the renowned jazz label "Blue Note" and two more samplers on the Japanese market.