J.J. Cale's debut album, Naturally, was recorded after Eric Clapton made "After Midnight" a huge success. Instead of following Slowhand's cue and constructing a slick blues-rock album, Cale recruited a number of his Oklahoma friends and made a laid-back country-rock record that firmly established his distinctive, relaxed style. Cale included a new version of "After Midnight" on the album, but the true meat of the record lay in songs like "Crazy Mama," which became a hit single, and "Call Me the Breeze," which Lynyrd Skynyrd later covered. On these songs and many others on Naturally, Cale effortlessly captured a lazy, rolling boogie that contradicted all the commercial styles of boogie, blues, and country-rock at the time. Where his contemporaries concentrated on solos, Cale worked the song and its rhythm, and the result was a pleasant, engaging album that was in no danger of raising anybody's temperature.
A very unusual album from Clifford Jordan – a session of shorter soul jazz numbers cut in the years between his earlier hardbop albums and his later, more righteous sounds of the 70s! The style here is straightforward and to the point – very much in the Atlantic soul jazz style of the late 60s, but with some looser, freer touches – especially on Jordan's solos, which are especially nice! There's organ on a fair bit of tracks on the record – played by either John Patton or Frank Owens – and other players include Jimmy Owens on trumpet, Bob Cranshaw on bass, and Billy Higgins on drums. Most tracks also have added percussion at the bottom (some by Ray Barretto) – making for a slightly more complicated groove that comes across with some headier sounds than you might expect! Jordan not only plays his usual tenor, but also flute and a bit of piano.
The buckle-polishers and skirt-swirlers are back! Presenting 28 rare goodies from Louisiana and South East Texas. The variant of rock’n’roll that emanated from the Gulf Coast of South Louisiana and South East Texas in the 1950s-60s is as evocative of the area as chicken gumbo, crawfish étouffée and red beans and rice. The youthful Cajuns of the period threw themselves into r’n’r like teenagers across the globe, but had additional influences, not just the hillbilly and blues that created rockabilly, but the ethnic music of their parents and, most telling, the R&B sounds carried over the airwaves from New Orleans.
Canadian identity was once truly a mosaic—of disparate regions and small communities widely dispersed over a vast and inhospitable landscape. Classic Canadian Songs from Smithsonian Folkways showcases the rich musical traditions from generations of European settlers and contrasts with that of Aboriginal peoples fiercely determined to preserve their ways of life in the wake of colonialism and its injustices. 30 classic tracks, over an hour of music.