Guitar maestro Josh Smith has always been inventive in his work, but he goes the extra mile on this one by delivering the feel of one of his live performances even though this CD was recorded within the confines of his new Flat V Studios…
150 original early rock 'n' roll and rockabilly recordings from Jimmy Wages, Lee Cole, Ronnie Self, Pat Cupp, Tony Casanova, Walter Brown, Al Urban, Carl Phillips, Don Feger, Don Willis, Don Woody, Glenn Honeycutt, Gene Brown, Joey Castle, Mike Cashman and many others.
This superb collection is a must-have for all 1950s rockabilly fans and collections.
Marcus Strickland's musical journey is one of discovery and of searching for an inner enlightenment. Deeply spiritual and profound songwriting separates Marcus from many of his generation. After last year's Thelonious Monk Saxophone Competition, in which he was one of the three winners, he is back with his latest CD, "Brotherhood", which refers to not only his brother E.J. on drums, but also his view of his fellow man. These new tracks follow on from his last Fresh Sound New Talent release "At Last" but also take his music a step further, with new sounds and ideas coming through all the time.
The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.
This obscure mid-'60s record by Milt Jackson has few surprises, though many jazz fans would be suspicious that the theme from the movie Born Free would turn into a viable jazz vehicle. Jackson's funky treatment of this normally laid-back piece works very well. Jimmy Heath, who plays great tenor sax on several tracks, contributed the funky original "Bring It Home (To Me)" as well as "A Time and a Place," which became one of his better-known compositions. Less successful is his chart of Jackson's somewhat monotonous "Whalepool." Pianist Cedar Walton, a favorite collaborator of the vibraphonist, is the centerpiece of their rendition of Miles Davis' landmark modal tune "So What." Long out of print, this Limelight LP has been reissued in Japan, but this recommended album will be expensive to acquire in either version