In a period in which the boundaries between musical genres are rapidly dissolving, there still exist major differences between what we still call a “jazz” band and those of other musical classifications.Perhaps the most significant of these is that longevity in a jazz ensemble will nearly always have an entirely positive effect on the music. That’s clearly a huge factor when listening to the high-caliber international quartet put together over a decade ago by the New York-based guitarist-composer Scott DuBois.
It may be an all-acoustic affair (with the exception of electric bass), but School of the Arts bristles with fusion energy. That will come as no surprise to anyone familiar with even a few of the names on this project spearheaded by pianist T Lavitz, who first came to attention in 1979 when he joined The Dixie Dregs, guitarist Steve Morse's country-tinged progressive fusion group that released a string of outstanding albums between 1975 and 1982, and still reconvenes on rare occasion to this day.
When Detroiter David Usher and Dizzy Gillespie founded the Dee Gee record label, they might have had an inkling that their project could, and would, fail financially due to poor distribution, the conversion from 78s to LPs, and the heavy hammer of the taxman. They might have felt, but could not have imagined, that they would create some of the most essential and pivotal jazz recordings for all time, not to mention some of the last great sides of the pioneering bebop era. Gillespie's large ensembles brought to public attention the fledgling young alto and tenor saxophonist John Coltrane, such Detroiters as guitarist Kenny Burrell or pianist/vibraphonist Milt Jackson, and vocalists Joe Carroll, Freddy Strong and Melvin Moore. Considering the years – 1951 and 1952 – this was revolutionary breakthrough music from a technical and entertainment aspect, delightful music that has stood the test of time and displays the trumpeter in his prime as a bandleader.
Soul jazz supergroup Something Else!, led by alto sax master Vincent Herring, revisits the vital, funky grooves of an unforgettable era. The all-star band’s groove-driven debut features Jeremy Pelt, Wayne Escoffery, Paul Bollenback, David Kikoski, Essiet Essiet and Otis Brown III.