Jean Pierre Rampal

Jean-Pierre Rampal is often considered the greatest flutist of the modern era. In addition to his exceptional talent, he raised the flute to unprecedented solo status, popularizing the flute literature, the flute recital and flute recordings. The rediscovery of the Baroque, Classical and Romantic repertoire for the flute is one of his outstanding achievements, as well as his numerous collaborations with composers; over 100 works have been written for and premiered by him. He recorded for Erato from the mid-1950s, with many discs receiving awards internationally. This is the second of four boxed sets comprising the complete Erato recordings (1954 to 1982) and the complete HMV recordings (1952-1976), gathered together for the first time. The set ranges from the masterpieces of Mozart, Handel and Bach to modern repertoire by Damase and Arma.

This is one of the best clarinet/flute concertos (concerti) recorded with Pleyel’s compositions. Pleyel demanded “virtuosic brilliance” and so the performers must be at the top of their game to play his works. Paul Meyer is known for a wide repertory and an interest in modern works for clarinet. He began studying clarinet as a child and made his solo debut with the Symphony Orchestra of the Rhine at the age of 13.

Claude Bolling, Rampal, Lagoya - Picnic Suite
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 259 MB
Label/Cat#: CBS Masterworks MK 35864 | Country/Year: US 198_
Genre: Jazz | Hoster: Filesonic/Uploaded/Wupload

Claude Bolling (born 10 April 1930), is a renowned French jazz pianist, composer, arranger, and occasional actor. Bolling is also noted for a series of "crossover" collaborations with classical musicians. His Suite for Flute and Jazz Piano Trio with Jean-Pierre Rampal, a mix of Baroque elegance with modern swing, has been a top seller for many years, and was followed up by other works in the same vein. It was particularly popular in the United States, at the top of the hit parade for two years after its release and on billboard top 40 for 530 weeks, roughly ten years…

2016 marks the 40th anniversary of Jean Martinon’s death. This 14-CD collection focuses on Martinon’s activity with the Orchestre National de l’O.R.T.F between 1968 and 1975 and on repertoire – much of it French – that complements the works by Debussy and Ravel that feature on Martinon’s best-known recordings. The box brings together recordings he made for both EMI and Erato and also includes the first commercial releases of live recordings kept at France’s Institut national de l'audiovisuel (INA) and dating from 1970 (Roussel’s Symphony No 3), 1971 (Bartók’s Miraculous Mandarin) and 1972 (Falla’s complete Three-Cornered Hat).

The harpist Lily Laskine (1893-1988) was a popular and influential figure whose name was particularly closely identified with the Erato label, although she also recorded for EMI. The first woman to play in the orchestra of the Paris Opéra, she made her first recording for Erato – Mozart’s Concerto for Flute and Harp with Jean-Pierre Rampal – in 1958, when she was already 65. She made her last Erato recording 23 years later. Her stereo remake of the Mozart concerto (again partnering with Rampal), recorded in 1963, remains an all-time classical bestseller in France.

oyal baroque from festive to virtuoso: the most popular by Vivaldi, Handel and colleagues When baroque festive trumpets unfolded their splendor, everyone listened: the sound of brass instruments was a sounding sign for princes and kings and their lavish splendor. Centuries later, hardly anyone can escape the effects of Baroque music: Vivaldi, Handel and Bach are still classic chart strikers par excellence. The Königliches Barock album combines everything that makes this music so fascinating: festive splendor as in Handel's fireworks music, Telemann's trumpet concerto or Charpentiers Te Deum, sacred depth as in Corelli's Christmas concert, Albinoni's Adagio or Pachelbel's canon.