The 2008 box set Original Album Classics rounds up Jeff Beck's first five albums after the departure of Rod Stewart and Ronnie Wood: Rough & Ready, Blow by Blow, Jeff Beck Group, Wired, Jeff Beck with the Jan Hammer Group Live…
To those wondering whether to add this CD to their collection I recommend that you bear in mind Duke Ellington's words - "There are only two kinds of music: good music and bad music", because this CD belongs unquestionably to the first category. All instrumental, it contains a variety of styles - including ballad, reggae, funk, and rock - read the other reviews for the details. And finally, please don't ever pretend to have any inkling of what Jeff Beck is about, or what he is capable of, without being familiar with this particular album.
Released in 1976, Jeff Beck's Wired contains some of the best jazz-rock fusion of the period. Wired is generally more muscular, albeit less-unique than its predecessor, Blow by Blow. Joining keyboardist Max Middleton, drummer Richard Bailey, and producer George Martin from the Blow by Blow sessions are drummer Narada Michael Walden, bassist Wilbur Bascomb, and keyboardist Jan Hammer. Beck contributed no original material to Wired, instead relying on the considerable talents of his supporting cast. Perhaps this explains why Wired is not as cohesive as Blow by Blow, seemingly more assembled from component parts. Walden's powerful drumming propels much of Wired, particularly Middleton's explosive opener, "Led Boots," where Beck erupts into a stunning solo of volcanic intensity. Walden also contributes four compositions, including the funk-infused "Come Dancing," which adds an unnamed horn section. While Walden's "Sophie" is overly long and marred by Hammer's arena rock clichés, his "Play With Me" is spirited and Hammer's soloing more melodic.
"If the voice don't say it, the guitar will play it," raps Saffron on "Pork-U-Pine," the third track on Jeff Beck's minimally titled Jeff. And he does. Beck teams with producer Andy Wright, the man responsible for his more complete immersion into electronic backdrops on his last outing, You Had It Coming. This time the transition is complete. Beck used electronica first on Who Else!, moved a little more into the fire on You Had It Coming, and here merges his full-on Beck-Ola guitar heaviness with the sounds of contemporary spazz-out big beats and noise.
Jeff Beck is no stranger to Friday Music. We continue to strive to bring the fans his greatest music ever recorded in both 180 Gram Audiophile Vinyl and now on remastered compact disc collectors editions…..Jeff Beck Live At B.B. King Blues Club is such a wonderful performance, and this unique session fortunately was captured at this intimate setting. Hearing the Guitar Shop trio once again is a thrilling event to behold as you hear shredder delights like Angel, People Get Ready, Goodbye Pork Pie Hat, material from Blow By Blow, There And Back…..he plays them all. SHREDDERS UNITE!
"If the voice don't say it, the guitar will play it," raps Saffron on "Pork-U-Pine," the third track on Jeff Beck's minimally titled Jeff. And he does. Beck teams with producer Andy Wright, the man responsible for his more complete immersion into electronic backdrops on his last outing, You Had It Coming. This time the transition is complete. Beck used electronica first on Who Else!, moved a little more into the fire on You Had It Coming, and here merges his full-on Beck-Ola guitar heaviness with the sounds of contemporary spazz-out big beats and noise. Beck and Wright employ Apollo 440 on "Grease Monkey" and "Hot Rod Honeymoon," and use a number of vocalists, including the wondrously gifted Nancy Sorrell, on a host of tracks, as well as the London Session Orchestra on others…