Jeff Pepper

Originally reissued as part of the Promise Kept: The Complete Artist House Recordings boxed set, now available separately . LP contains the original 5 tracks - CD/Digital include an additional 3 bonus tracks . Remastered by Grammy? winner Michael Graves, with vinyl cut by Jeff Powell Producer John Snyder had always wanted to record Pepper and booked him into a week at the Village Vanguard in New York. At the time, Pepper was under contract to Contemporary Records and label head, Les Koenig, decided he would record the gigs, quashing any notion Snyder had of doing the same. However, Art promised Snyder that he'd record an album for Snyder's label, Artists House, at some point down the road. Together they wound up making four. Here again on vinyl, CD & Digital are the original albums drawn from these sessions, lovingly recreated in their original form, remastered by Grammy? winner Michael Graves and recut by Jeff Powell.

Producer John Snyder had always wanted to record Pepper and booked him into a week at the Village Vanguard in New York. At the time, Pepper was under contract to Contemporary Records and label head, Les Koenig, decided he would record the gigs, quashing any notion Snyder had of doing the same. However, Art promised Snyder that he’d record an album for Snyder’s label, Artists House, at some point down the road. Together they wound up making four.

Originally reissued as part of the Promise Kept: The Complete Artist House Recordings boxed set, now available separately . LP contains the original 5 tracks - CD/Digital include an additional 5 bonus tracks . Remastered by Grammy? winner Michael Graves, with vinyl cut by Jeff Powell Producer John Snyder had always wanted to record Pepper and booked him into a week at the Village Vanguard in New York. At the time, Pepper was under contract to Contemporary Records and label head, Les Koenig, decided he would record the gigs, quashing any notion Snyder had of doing the same. However, Art promised Snyder that he'd record an album for Snyder's label, Artists House, at some point down the road.

Originally reissued as part of the Promise Kept: The Complete Artist House Recordings boxed set, now available separately. Producer John Snyder had always wanted to record Pepper and booked him into a week at the Village Vanguard in New York. At the time, Pepper was under contract to Contemporary Records and label head, Les Koenig, decided he would record the gigs, quashing any notion Snyder had of doing the same. However, Art promised Snyder that he’d record an album for Snyder’s label, Artists House, at some point down the road. Together they wound up making four.

Originally reissued as part of the Promise Kept: The Complete Artist House Recordings boxed set, now available separately . LP contains the original 5 tracks - CD/Digital include an additional 3 bonus tracks .

Originally reissued as part of the Promise Kept: The Complete Artist House Recordings boxed set, now available separately .

On its second ECM album, recorded in New York last year, Fly continues to overturn the conventions of the sax/bass/drums trio. Mark Turner, Larry Grenadier and Jeff Ballard share freedom and responsibilities in a democratically-constituted band of equals, which is never about soloist-and-accompaniment. More often coolheaded and thoughtful than incantatory, the trio’s music subtly interweaves improvisation and composition; there are some deep conversations, and reflections on jazz history, taking place inside it.

In 2006, the Beatles coaxed producer George Martin out of retirement to remix and rearrange several of their iconic songs for Cirque du Soleil’s Las Vegas stage production Love. Martin, though, had a worry: At age 80 his hearing had turned difficult, and so he brought in a collaborator: his son Giles. The younger Martin had produced classical music, as well as recordings by Kula Shaker, Jeff Beck, Elvis Costello and Kate Bush. “He’s my ears,” George Martin said. What ears they turned out to be: Giles recombined parts of many of the Beatles’ songs into a mash-up of the band’s audio history, sometimes encapsulating much of it in a single song. “Get Back” opened with George Harrison’s memorable thrum from “A Hard Day’s Night” and Ringo Starr’s drum prologue from “The End,” caught sight of an overpassing jet from “Back in the U.S.S.R.,” pulled in part of the audience’s expectant murmur from “Sgt. Pepper’s Lonely Hearts Club Band” and borrowed a bit of the orchestral swell from “A Day in the Life,” landing on John Lennon’s “Glass Onion.”

The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970. The band lead by songwriters/multi-instrumentalists Jeff Lynne. Their music is characterised by a fusion of Beatlesque pop, classical arrangements and futuristic iconography. During ELO's original 14-year period of active recording and touring, they sold over 50 million records worldwide, and collected 19 CRIA, 21 RIAA, and 38 BPI awards. For a period in the mid 1970s, the band saw more success in the United States, where they were billed as "the English guys with the big fiddles". From 1972 to 1986, ELO accumulated twenty seven Top 40 songs on the UK Singles Chart, and fifteen Top 20 songs on the US Billboard Hot 100. The band also holds the record for having the most Billboard Hot 100 Top 40 hits (20) without a number one single of any band in US chart history. In 2017 the classic ELO line-up have been inducted into the Rock and Roll Hall of Fame.