Arguably the turning point in the career of Jefferson Airplane was the weekend of October 14-16, 1966, when the band played the Fillmore Auditorium in San Francisco on a triple bill, preceded by the Paul Butterfield Blues Band and followed by headliner Big Mama Mae Thornton, two shows a night. This was the engagement during which the Airplane's original female singer, Signe Anderson, gave way to Grace Slick. Anderson performed on the first two nights (the late show of the second providing the archival album Live at the Fillmore Auditorium 10/15/66: Late Show – Signe's Farewell, released simultaneously with this album in 2010), and Slick took over on Sunday night; the 27-and-a-half-minute early show and the 43-minute late show are presented here.
2008 five CD box. The Original Album Classics series, courtesy of Sony/BMG, packages together five classic albums from one of the most popular artists on the label's roster, housing them in an attractive slipcase. This set from the American Classic rockers features the albums Jefferson Airplane Takes Off (1966), Surrealistic Pillow (1967), After Bathing at Baxter's (1967), Crown of Creation (1968) and Bless It's Pointed Little Head (1969).
Jefferson Airplane had the good fortune (or maybe the ill fortune) of arriving on the pop scene at the end of the 1960s when rock was just beginning to flex its political and artistic side, and being based in hippie-central San Francisco, the band went from being a ragged folk-rock group to being an experimental one, and all the shackles were thrown off in the studio, which is probably why, of all the San Francisco groups of the era, they have perhaps the most uneven catalog. This four-disc, 44-track box set collects the group's key sides, from the early hits "White Rabbit" and "Somebody to Love" to the defiantly rebellious "Volunteers" and the graceful "Won't You Try/Saturday Afternoon." When all was said and done, the group's legacy seems pretty much locked into the '60s ethos and doesn't translate all that well into the 21st century, but the hazy nostalgia factor of those times makes this band appear to be more than maybe it actually was. Most of what the Airplane did is here, including six live tracks, so a listen should prove the case one way or the other.
Jefferson Airplane Takes Off is the debut album of San Francisco rock band Jefferson Airplane, released on RCA Victor Records in 1966. The personnel differ from the later "classic" lineup and the music is more folk-rock than the harder psychedelic sound for which the band later became famous. Signe Toly Anderson was the female vocalist whilst Skip Spence played drums. Both left the group shortly after the album's release and were replaced by Grace Slick and Spencer Dryden respectively. Wikipedia.
The Jefferson Airplane opened 1967 with Surrealistic Pillow and closed it with After Bathing at Baxter's, and what a difference ten months made. Bookending the year that psychedelia emerged in full bloom as a freestanding musical form, After Bathing at Baxter's was among the purest of rock's psychedelic albums, offering few concessions to popular taste and none to the needs of AM radio, which made it nowhere remotely as successful as its predecessor, but it was also a lot more daring. The album also showed a band in a state of ferment, as singer/guitarist Marty Balin largely surrendered much of his creative input in the band he'd founded, and let Paul Kantner and Grace Slick dominate the songwriting and singing on all but one cut ("Young Girl Sunday Blues").
…the whole album was resplendent in a happy balance of all of these creative elements, before excessive experimentation (musical and chemical) began affecting the band's ability to do a straightforward song. The group never made a better album, and few artists from the era ever did.
Jefferson Airplane Takes Off is the debut album of San Francisco rock band Jefferson Airplane, released on RCA Victor Records in 1966. The personnel differ from the later "classic" lineup and the music is more folk-rock than the harder psychedelic sound for which the band later became famous. Signe Toly Anderson was the female vocalist whilst Skip Spence played drums. Both left the group shortly after the album's release and were replaced by Grace Slick and Spencer Dryden respectively.
The midtempo ballad "It's No Secret" was released as a single. more…
Live at the Monterey Festival is a live album by the San Francisco rock band, Jefferson Airplane, that was released in the United Kingdom and Europe by Thunderbolt Records in 1991. The album was authorized by the band and features the entire set from the group's June 17, 1967 performance at the Monterey Pop Festival. The album marked the first time that Jefferson Airplane's entire Monterey Pop Festival performance had been given a release by a legitimate record company.