Jethro Tull Bursting Out Flac

Released just as punk was taking hold on the public's imagination in America and making groups like Jethro Tull seem like dinosaurs on their way to extinction, Bursting Out became a seemingly perpetual denizen of the cutout bins for years afterward. However, it happened to be a good album, a more-than-decent capturing of a live Tull concert from Europe. The sound is remarkably good, given the group's arena rock status at the time, and the repertoire is a solid representation of the group's history, going all the way back to "A New Day Yesterday" from their second album and up through 1978's Heavy Horses, with stops along the way for "Bouree," "Aqualung," "Locomotive Breath," "Cross-Eyed Mary," and a compact reprise of Thick as a Brick. Some of these tracks work better than others – the tendency here is to play loud and hard, and sometimes that just doesn't translate well on record; seeing "Locomotive Breath" probably worked better than hearing it.

Released just as punk was taking hold on the public's imagination in America and making groups like Jethro Tull seem like dinosaurs on their way to extinction, Bursting Out became a seemingly perpetual denizen of the cutout bins for years afterward. However, it happened to be a good album, a more-than-decent capturing of a live Tull concert from Europe. The sound is remarkably good, given the group's arena rock status at the time, and the repertoire is a solid representation of the group's history, going all the way back to "A New Day Yesterday" from their second album and up through 1978's Heavy Horses, with stops along the way for "Bouree," "Aqualung," "Locomotive Breath," "Cross-Eyed Mary," and a compact reprise of Thick as a Brick.

Jethro Tull was a unique phenomenon in popular music history. Their mix of hard rock; folk melodies; blues licks; surreal, impossibly dense lyrics; and overall profundity defied easy analysis, but that didn't dissuade fans from giving them 11 gold and five platinum albums…

This budget-priced box set from the prog rock/folk greats rounds up five complete albums. First up is 1977's Songs from the Wood, which is the first in a trio of fan-favorite folk-centric releases that included Heavy Horses (1978) and Stormwatch (1979), both of which are also included in the package…

Jethro Tull's 11th studio album, Heavy Horses, is one of their prettier records, a veritable celebration of English folk music chock-full of gorgeous melodies, briskly played acoustic guitars and mandolins, and Ian Anderson's lilting flute backed by the group in top form. This record is a fairly close cousin to 1977's Songs from the Wood – and was ultimately the hinge-piece and first of an ecologically themed trilogy which concluded with 1979's Stormwatch – except that its songs are decidedly more passionate, delivered with a rough, robust energy that much of Tull's work since Thick as a Brick had been missing. In its lustiness it arguably surpasses even Aqualung.

Jethro Tull's 11th studio album, Heavy Horses, is one of their prettier records, a veritable celebration of English folk music chock-full of gorgeous melodies, briskly played acoustic guitars and mandolins, and Ian Anderson's lilting flute backed by the group in top form. This record is a fairly close cousin to 1977's Songs from the Wood – and was ultimately the hinge-piece and first of an ecologically themed trilogy which concluded with 1979's Stormwatch – except that its songs are decidedly more passionate, delivered with a rough, robust energy that much of Tull's work since Thick as a Brick had been missing. In its lustiness it arguably surpasses even Aqualung. "No Lullaby" is the signature heavy riff song, a concert version of which opened Bursting Out: Jethro Tull Live recorded that same year. Anderson sings it – and everything else here – with tremendous intensity, as though these might be the last lines he ever gets to voice.