Jimmy+page

Everything about Coverdale/Page, right down to the goofy copping of the Presence artwork, is an attempt to recapture the pompous majesty of Led Zeppelin. It doesn't succeed, of course, but it does leave all of the Zep clones in the dust. Although Jimmy Page plays better here than he has since 1979's In Through the Out Door, there is a conspicuous lack of solos. If you've never liked David Coverdale, his performance will not change your opinion. Both fare better on the rockers; the power ballads tend be slightly tedious. Essentially, Coverdale/Page boils down to a guilty pleasure at its best moments ("Shake My Tree," "Pride and Joy," "Absolution Blues"), but never quite rivals the bold experimentation of Led Zeppelin.

Jimmy Rogers was very much a musician's musician – the kind of guitarist that earned accolades from contemporaries and successors alike – yet one who never wins a wide, mainstream audience. Blues Blues Blues was designed as the album that would find Rogers a larger audience, and as such, it has all the bells and whistles of a big-deal blues album. It has the classics ("Trouble No More," "Bright Lights, Big City," "Sweet Home Chicago," "Don't Start Me to Talkin'"), remakes of Rogers standards ("Ludella," "That's All Right"), cult covers (Muddy Waters' "Blow Wind Blow," which kicks off the album on just the right note) and an astounding number of guest appearances, including cameos from (get ready): Jimmy Page and Robert Plant, Keith Richards and Mick Jagger, Lowell Fulson, Johnnie Johnson, Eric Clapton, Taj Mahal, Ted Harvey, Carey Bell, Stephen Stills, and Jeff Healey.

Jimmy Rogers was very much a musician's musician – the kind of guitarist that earned accolades from contemporaries and successors alike – yet one who never wins a wide, mainstream audience. Blues Blues Blues was designed as the album that would find Rogers a larger audience, and as such, it has all the bells and whistles of a big-deal blues album…

California recording artist Jimmy O tragically and suddenly suffered a fatal heart attack just after a concert, doing what he loved to do. Jimmy's latest CD "At Every Turn" has been finished up by his widow Mary and has now been released.

Everything about Coverdale/Page, right down to the goofy copping of the Presence artwork, is an attempt to recapture the pompous majesty of Led Zeppelin. It doesn't succeed, of course, but it does leave all of the Zep clones in the dust. Although Jimmy Page plays better here than he has since 1979's In Through the Out Door, there is a conspicuous lack of solos. If you've never liked David Coverdale, his performance will not change your opinion…