Joe Cocker The Album

The Album Recordings 1984-2007 is an impressive Joe Cocker 14CD box. The new collection comprises all of Cocker’s studio albums released from 1984 – 2007 [along with 'Live'] and a newly compiled bonus CD of ‘Related Recordings’ that includes rarities, additional content from European deluxe discs, US Album versions and songs found on tribute albums for the likes of Elton John and Bruce Springsteen. The Album Recordings 1984-2007 is packaged as a clamshell box containing a 16-page booklet. All CDs come housed in replica cardboard sleeves. The albums included in this box are: 1. Civilised Man (1984) 2. Cocker (1986) 3. Unchain My Heart (1987) 4. One Night Of Sin (1989) 5. Joe Cocker (Live) (1990) 6. Night Calls (1992) 7. Have A Little Faith (1994) 8. Organic (1996) 9. Across From Midnight (1997) 10. No Ordinary World (1999) 11. Respect Yourself (2002) 12. Heart & Soul (2004) 13. Hymn For My Soul (2007) 14. Related Recordings (Exclusive Bonus Disc).

The Life Of A Man, brings together the hits of Joe Cocker into the first comprehensive hits collection for 12 years, and the first package ever to cover his entire career from 1968 to his untimely passing in 2014. Cocker was raised on blues and grew up in Sheffield inspired by Muddy Waters, Chuck Berry and Lightnin’ Hopkins. These influences are evident in Cocker’s idiosyncratic style of vocals which adds a rough edge to the most delicate of melodies. Cocker began making a name for himself in the UK initially, with his prolific and powerful voice lending itself tastefully to love songs which lyrically juxtaposed with his gruff voice. This stunning collection features the international hit, With A Little Help From My Friends and the Grammy Award winning smash duet, Up Where We Belong.

After his one-album stint at Asylum Records with Luxury You Can Afford in 1978, Joe Cocker was without a record label until 1981, when he signed to Island Records. Island head Chris Blackwell took him to the Compass Point studios in the Bahamas, where he recorded a 12" single, "Sweet Little Woman"/"Look What You've Done," released in May 1981, then continued working on a full-length album. When that album, Sheffield Steel, appeared a year later, listeners could be forgiven for imagining, during the instrumental portions, that they were hearing not a Joe Cocker disc, but rather a Robert Palmer record.

Although Cocker's Capitol material wasn't as consistent as his A&M work, this compilation successfully distills the highlights, including the splendid "When the Night Comes," onto a single CD.

The Collection is a compilation album by Joe Cocker, released in 1986 by Castle Communications.

After his one-album stint at Asylum Records with Luxury You Can Afford in 1978, Joe Cocker was without a record label until 1981, when he signed to Island Records. Island head Chris Blackwell took him to the Compass Point studios in the Bahamas, where he recorded a 12" single, "Sweet Little Woman"/"Look What You've Done," released in May 1981, then continued working on a full-length album. When that album, Sheffield Steel, appeared a year later, listeners could be forgiven for imagining, during the instrumental portions, that they were hearing not a Joe Cocker disc, but rather a Robert Palmer record. The instrumentalists were the Compass Point All-Stars, led by drummer Sly Dunbar and bassist Robbie Shakespeare, and including keyboard player Wally Badarou and guitarist Barry Reynolds, and they maintained a steady tropical groove on most tracks that strongly recalled their work on Palmer's series of albums…

Joe Cocker's debut album holds up extraordinarily well across four decades, the singer's performance bolstered by some very sharp playing, not only by his established sideman/collaborator Chris Stainton, but also some top-notch session musicians, among them drummer Clem Cattini, Steve Winwood on organ, and guitarists Jimmy Page and Albert Lee, all sitting in. It's Cocker's voice, a soulful rasp of an instrument backed up by Madeline Bell, Sunny Weetman and Rossetta Hightower that carries this album and makes "Change in Louise," "Feeling Alright," "Just Like a Woman," "I Shall Be Released," and even "Bye Bye Blackbird" into profound listening experiences. But the surprises in the arrangements, tempo, and approaches taken help make this an exceptional album. Tracks like "Just Like a Woman," with its soaring gospel organ above a lean textured acoustic and light electric accompaniment, and the guitar-dominated rendition of "Don't Let Me Be Misunderstood" – the formal debut of the Grease Band on record – all help make this an exceptional listening experience.