Joe Cocker's debut album holds up extraordinarily well across four decades, the singer's performance bolstered by some very sharp playing, not only by his established sideman/collaborator Chris Stainton, but also some top-notch session musicians, among them drummer Clem Cattini, Steve Winwood on organ, and guitarists Jimmy Page and Albert Lee, all sitting in. It's Cocker's voice, a soulful rasp of an instrument backed up by Madeline Bell, Sunny Weetman and Rossetta Hightower that carries this album and makes "Change in Louise," "Feeling Alright," "Just Like a Woman," "I Shall Be Released," and even "Bye Bye Blackbird" into profound listening experiences. But the surprises in the arrangements, tempo, and approaches taken help make this an exceptional album. Tracks like "Just Like a Woman," with its soaring gospel organ above a lean textured acoustic and light electric accompaniment, and the guitar-dominated rendition of "Don't Let Me Be Misunderstood" – the formal debut of the Grease Band on record – all help make this an exceptional listening experience.
After starting out as an unsuccessful pop singer (working under the name Vance Arnold), Joe Cocker found his niche singing rock and soul in the pubs of England with his superb backing group, the Grease Band. He hit number one in the U.K. in November 1968 with his version of the Beatles' "A Little Help from My Friends." His career really took off after he sang that song at Woodstock in August 1969…
1987 German 18-track compilation CD album featuring his greatest songs includes three lives tracks plus two bonus tracks. Fold-out picture sleeve including family tree.
Greatest Hits features most, but not all (no "She Came in Through the Bathroom Window" or "It's a Sin When You Love Somebody"), of his biggest hits from the early '70s. Nevertheless, there's plenty of fine music here, making the record a solid compilation.
Joe Cocker was an English singer, gravel-voiced vocalist whose animated live shows (especially at Woodstock) made him a legend, perhaps the finest soul singer Britain ever produced. He hit number one in the U.K. in November 1968 with his version of the Beatles' "A Little Help from My Friends." His career really took off after he sang that song at Woodstock in August 1969. A second British hit came with a version of Leon Russell's "Delta Lady" in the fall of 1969 and both of his albums, With a Little Help from My Friends (April 1969) and Joe Cocker! (November 1969), went gold in America. In 1970, his cover of the Box Tops hit "The Letter" became his first U.S. Top Ten.
For most intents and purposes, No Ordinary World is an ordinary latter-day Joe Cocker album, filled with slick but impassioned ballads, moderately paced rockers, and smooth adult contemporary pop songs. The thing is, this is just a cut above average, thanks to uniformly fine performances from Cocker and a strong set of songs. Yes, at 14 songs, there are inevitably a couple of slow patches, but there are not only good covers here ("First We Take Manhattan," "While You See a Chance") but some good professionally crafted tunes like "Different Roads," the title track, and the Michael McDonald/Tony Joe White composition, "Where Would I Be Now." No Ordinary World may not erase memories of the fiery early Cocker albums, nor is it quite as memorable as the best of his latter-day work, but for longtime fans, it's a nice, satisfying listen.
5 CDs in one box, packed with the best music for the street, the highway, the truck, the motorcycle and everyone who needs the perfect sound for freedom, vacation and enjoyable "being on the road" and it's a little dustier and with more like guitars. From tender to hard, from rock classics to country evergreens, from Los Angeles to Nashville, here comes handmade music from real musical icons from the best music decades.