Johan Huys

Arne Deforce & Johan Huys - Grokking Improvisations (Collection "Passacaille Plus") (2022) [Official Digital Download]

Arne Deforce & Johan Huys - Grokking Improvisations (Collection "Passacaille Plus") (2022)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover & Digital Booklet | Time - 543: minutes | MB
Classical | Label: Passacaille, Official Digital Download

Grokking Improvisations developed out of a completely informal recording session in the main concert hall of the Concertgebouw in Bruges on 8 February 2017. After a brief soundcheck three numbers were recorded spontaneously without any preconceived plan and the listener will discover an inspiring conversation that developed intuitively. The word to grok was coined by the American science fiction writer Robert A. Heinlein in his book Stranger in a Strange Land in 1961.
Guy Penson - Johan Huys: Ceci n'est pas une passacaille & Autres pièces de clavecin (2021) [Official Digital Download 24/48]

Guy Penson - Johan Huys: Ceci n'est pas une passacaille & Autres pièces de clavecin (2021)
FLAC (tracks) 24-bit/48 kHz | Front Cover & Digital Booklet | Time - 54:50 minutes | 628 MB
Classical | Label: Passacaille, Official Digital Download

Flemish composer Johan Huys is equally proficient on all keyboard instruments, but he is best known as a harpsichordist. He was president of the competition at the MA Festival Bruges for 39 years. For this worldfamous competition, which is inextricably linked to him, he composed several pieces for harpsichord, including the compulsory work for the 2018 harpsichord competition: Ceci n’est pas une passacaille. Here, his former pupil Guy Penson has recorded this piece and other outstanding harpsichord works by Johan Huys.
Guy Penson - Johan Huys: Ceci n'est pas une passacaille & Autres pièces de clavecin (2021)

Guy Penson - Johan Huys: Ceci n'est pas une passacaille & Autres pièces de clavecin (2021)
FLAC tracks / MP3 320 kbps | 54:45 | 305 / 124 Mb
Genre: Classical / Label: Passacaille

Flemish composer Johan Huys is equally proficient on all keyboard instruments, but he is best known as a harpsichordist. He was president of the competition at the MA Festival Bruges for 39 years. For this worldfamous competition, which is inextricably linked to him, he composed several pieces for harpsichord, including the compulsory work for the 2018 harpsichord competition: Ceci n’est pas une passacaille. Here, his former pupil Guy Penson has recorded this piece and other outstanding harpsichord works by Johan Huys.
Parnassus Ensemble - Musica da Camera: Telemann, Handel, Galuppi, Janitsch, J.C.Bach (2009)

Parnassus Ensemble - Musica da Camera: Telemann, Handel, Galuppi, Janitsch, J.C.Bach (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 57:36 | 346 MB
Genre: Classical | Label: Accent | Catalog: ACC 10006

Masterpieces Played by Masters asserts the back cover of this reissue confidently. That gives the wrong idea of the flavor of this little disc of chamber music from the middle eighteenth century, originally recorded in 1978. The instruments are all either of the relevant period or copies of such, making this one of the earlier applications of historical-performance principles to pre-Classical music. The "Masters" part of the equation is justifiable enough; flutist Barthold Kuijken and the other players involved all had long careers in the Dutch heartland of the historical-performance movement, and, unlike so many other players trained primarily in the Baroque repertory, they take naturally to the light charm of the pieces played here.
Guy Penson, Ricercar Consort, Il Fondamento - Wilhelm Friedemann Bach: Cembalo Konzerte (2010) 2CDs

Wilhelm Friedemann Bach: Cembalo Konzerte (2010) 2CDs
Guy Penson, clavecin, piano-forte; Ricercar Consort; Il Fondamento

EAC | FLAC | Image (Cue&Log) ~ 694 Mb | Mp3 (CBR320) ~ 368 Mb | Scans included
Genre: Classical | Label: Ricercar | # RIC297 | Time: 02:34:46

At the same time as we get to know Wilhelm Friedemann Bach’s compositions we can also take stock of the real personality of Johann Sebastian Bach’s eldest son. His works are still mostly unknown to the public at large and remain in the shadow of those by his brothers. It is true that his music still seems to be somewhat strange, imprisoned as it undoubtedly is by the composer’s profound inner drama. Born in 1710, Wilhelm Friedemann benefited more than any other of his brothers from the impact of his father’s personality; we may well remember the famous phrase attributed to Johann Sebastian «The son that gives me joy is the one that I love» ?