Sam Graham once referred to Fahey as the "curmudgeon of the acoustic guitar," while producer Samuel Charters noted that Fahey "was the only artist I ever worked with whose sales went down after he made public appearances." This tumultuous spirit, in turn, made tumultuous music on albums like Days Have Gone By, filled with odd harmonics, discord, and rare beauty. The esoteric titles like "Night Train of Valhalla" stand beside more abrasive ones like "The Revolt of the Dyke Brigade."
The title The Dance of Death and Other Plantation Favorites might lead some to believe that this is a collection of public-domain items that go back to the Deep South of the 19th century. However, while this 1964 session does contain a song titled "Dance of Death," most of the material (including that tune) was written by Fahey himself in the early '60s. So an intriguing title is simply that: an intriguing title. Nonetheless, Fahey's music does have strong southern roots. Unaccompanied, the acoustic guitarist/instrumentalist demonstrates his love of African-American blues as well as the Anglo-American country, folk, and hillbilly music of Appalachia.