John Ruth

This powerful New Series album represents “a résumé and a departure” for Thomas Zehetmair, a summing up of his work with the Royal Northern Sinfonia. In his years as Music Director of the British chamber orchestra, Zehetmair was noted both for bringing compelling new music into the repertoire and for insightful performances of classical and modern composition, qualities very much in evidence on this concert recording from The Sage, Gateshead. The album opens with John Casken’s double concerto That Subtle Knot, written in 2012-3 for Zehetmair, Ruth Killius and the Northern Sinfonia. Inspired by the poetry of John Donne, the composition establishes a broad arc between the English Renaissance and music of today. Ruth Killius shines in a revelatory performance of Bartók’s Viola Concerto, and Zehetmair as conductor fully brings out what liner note writer Giselher Schubert describes as “the juggernaut propulsive thrust” of Beethoven’s Symphony No. 5.

This powerful New Series album represents “a résumé and a departure” for Thomas Zehetmair, a summing up of his work with the Royal Northern Sinfonia. In his years as Music Director of the British chamber orchestra, Zehetmair was noted both for bringing compelling new music into the repertoire and for insightful performances of classical and modern composition, qualities very much in evidence on this concert recording from The Sage, Gateshead. The album opens with John Casken’s double concerto That Subtle Knot, written in 2012-3 for Zehetmair, Ruth Killius and the Northern Sinfonia. Inspired by the poetry of John Donne, the composition establishes a broad arc between the English Renaissance and music of today. Ruth Killius shines in a revelatory performance of Bartók’s Viola Concerto, and Zehetmair as conductor fully brings out what liner note writer Giselher Schubert describes as “the juggernaut propulsive thrust” of Beethoven’s Symphony No. 5.

Die Kombination hat sich bewährt. Joseph Haydn hat in Sir John Eliot Gardiner einen Interpreten gefunden, der mit dem nötigen Ernst und der fachlichen Kompetenz seinen geistlichen Werken nachzuspüren vermag. “Seine Darbietungen haben eine bewegende Stärke und Energie. Die Solisten sind ausgezeichnet. An keiner Stelle zweifelt man an Haydns wahrer Größe”, urteilte die BBC über Gardiners Messen-Projekt.

John Edward Prine (October 10, 1946 – April 7, 2020) was an American country folk singer-songwriter. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death, and was known for an often humorous style of original music that has elements of protest and social commentary…

Hurricane Ruth LaMaster’s new album, Ain’t Ready for the Grave, was produced by blues great Tom Hambridge, who also played drums on the record. The album features 12 tracks. Most were penned by LaMaster, Hambridge, and Richard Fleming. One song was written by Scott Holt. Hambridge is a two time Grammy award winning producer. He took home the Best Blues Album Grammy in 2016 for Buddy Guy’s Born to Play Guitar, and won the Best Blues Album Grammy in 2011 for Guy’s Living Proof. He has produced albums for a “Who’s Who” of artists from Guy to Susan Tedeschi, to Delbert McClinton. Hambridge has had his songs cut by Buddy Guy, Lynyrd Skynyrd, George Thorogood, ZZ Top, Billy Ray Cyrus, B.B. King, Rascal Flatts, Johnny Winter, and many others.

Like music lovers the world over, John Nelson believes Johann Sebastian Bach’s Mass in B Minor is a pinnacle of Western music. For years, he has cherished the dream of performing this masterwork in the Cathedral of Notre-Dame in Paris with the Ensemble Orchestral de Paris whose renown has grown constantly since he began conducting with them eight years ago. In addition to John Nelson and his Ensemble Orchestral de Paris, the Mass in B minor brings together the Maîtrise de Notre-Dame choir conducted by Nicole Corti as well as internationally recognized soloists Ruth Ziesak (soprano), Joyce DiDonato (mezzo), Daniel Taylor (alto), Paul Agnew (tenor) and Dietrich Henschel (baritone).

Hurricane Ruth Live at 3rd and Lindsley is 14 songs of unbridled blues rock fury! Hurricane Ruth is old school, real and raw. Her vocals are deeply rooted in the blues, but make no mistake she can rock the house! She is cut from the same cloth as Big Mama Thornton, Janis Joplin, and Tina Turner. Hurricane Ruth pulls from all these greats to create her own unique sound. Hurricane Ruth is a powerful, unpredictable, everchanging MUSICAL FORCE OF NATURE!

2022 release from Nashville-based ambient composer Rich Ruth. Mixed by renowned Chicago producer/engineer John McEntire (Tortoise, The Sea and Cake, Stereolab), I Survived, It's Over features "Taken Back," in which sitar, shells, and bass are slowly joined by piercing lead guitar, synth blasts and drums as the track bursts open into psychedelic orbit. "I Survived, It's Over is a meditation on healing, confronting trauma, surrendering, and finding peace," Rich Ruth frontman Michael Ruth says. "I constantly experiment with sound until it reflects the way I am feeling and attempt to sculpt something meaningful from it."