Jump Supercar

Cannonball Adderley - And Strings & Jump For Joy (1995) {Verve 528 669-2 rec 1955-1958}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 337 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (png) -> 71 Mb | 5% repair rar
© 1955-58, 1995 EmArcy / Verve / Polygram | 528 669-2
Jazz / Hard Bop / Soul Jazz / Saxophone

This is twofer with two wonderful but different albums, one with a orchestra and with a normal jazzgroup extanded with a string quartet playing Ellington music, and on both the albums Cannonball just play so nice, yeah this with strings is his first album for EmArcy recorded 1955, I can agree with the reviewer that feel that these album feels the same, nah I definitely feel the different in them, but now its your turn to feel the differents or the simularity if yoou like, but I can promise you that you gonna love these albums. This is the 1995 Verve press and it sounds good, and I bet you recognice the 1958 rhythm section.

A couple of years ago guitarist Les Davidson suggested to Sniff ‘n’ the Tears singer/songwriter Paul Roberts that they should get out and do some gigs. Only this time as a duo. The current music scene seems to be increasingly about live performance and all they would need as an acoustic duo would be their guitars; the logistics of putting a band together for anything other than a fair-sized tour being fairly costly. The first two gigs they did were very encouraging as not only did the audience enjoy hearing the songs they knew but feedback from people afterwards suggested they had gained new insights into the songs. This has opened up a whole range of possibilities explored on the new album “Jump”.

Hadda Brooks - Jump Back Honey: The Complete OKeh Sessions (1952-1953) {Columbia-Legacy CK65081 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 191 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1952-53, 1997 OKeh / Columbia / Legacy / Sony Music | CK 65081
Jazz / Vocal Jazz / Piano Blues / Boogie / Piano

She was best known as a boogie-woogie piano player in the late 1940s, but this first-time CD reissue focuses on Hadda Brooks' brilliantly sophisticated, laidback vocal material in the 1950s. These songs don't carry the dirgelike sentiments of most blues, but more of a euphoric look at life and love. There are rocking dancers such as "Jump Back Honey" and "Brooks Boogie" among tasteful ballads such as "I Went To Your Wedding" and saucy midtempos like "Time Was When."

The band's wildly energetic and seriously soulful CD Jump Start is jam-packed with Lil' Ed's incendiary slide playing and rough, passionate singing, as the ragged-but-right Blues Imperials cook like mad alongside him. It is a tour-de-force of untamed slide guitar, rock solid rhythms, heartrending ballads and authentic deep blues vocals. Williams wrote or co-wrote 13 of the album's 14 songs, ranging from the non-stop boogie blast of "If You Were Mine" to the heart-on-his-sleeve honesty of "Life Is A Journey" to the bouncing and jazzy "Jump Right In" to the swaggering, autobiographical "Musical Mechanical Electrical Man." The album overflows with the band s full throttle drive and is fueled by Lil' Ed's love of both serious blues and good time fun.

"…And All The kings Men" was first released in 1994. After four years of constant touring, the album crowned a particular era of Jump's history, receiving high praise in diverse areas of the music media…

The band's wildly energetic and seriously soulful CD Jump Start is jam-packed with Lil' Ed's incendiary slide playing and rough, passionate singing, as the ragged-but-right Blues Imperials cook like mad alongside him. It is a tour-de-force of untamed slide guitar, rock solid rhythms, heartrending ballads and authentic deep blues vocals. Williams wrote or co-wrote 13 of the album's 14 songs, ranging from the non-stop boogie blast of "If You Were Mine" to the heart-on-his-sleeve honesty of "Life Is A Journey" to the bouncing and jazzy "Jump Right In" to the swaggering, autobiographical "Musical Mechanical Electrical Man." The album overflows with the band s full throttle drive and is fueled by Lil' Ed's love of both serious blues and good time fun.