K Ambient

Forest Hidden Temple is the third album in the series for Relaxation & Meditation, and it's an atmospheric album with some ethnic, meditative and evocative sounds combined with natural ambiences. It is produced using the 432 Hz tuning, and mixed with Binaural Alpha Waves with a different frequency on each half an hour long track.

Natural and relaxing night sounds with soothing background music and Theta Waves Binaural Beats for Meditation and Relaxation. The music is created using the 432 Hz tuning. Each track is half an hour long and each has a different frequency of Binaural Beats.

Natural and relaxing water sounds with soothing background music and Delta Waves Binaural Beats for Deep Sleep. The ambient music is created using the 432 Hz tuning. Each track on the "Calming Waters" album is 1 hour long and has a different frequency of Binaural Beats. Deep Relaxation and Sleep well!

The tender musical heart of this enchanted take on The Man Who Fell to Earth belongs to composer Edward Shearmur, who turns in a largely synthesized score where spare, delicate piano melodies often recall Thomas Newman's deft sense of space and dynamics. While the general musical ethos seems a throwback to the mid-'80s heyday of pioneering electronic scores by Vangelis and Tangerine Dream, contemporary technical advances have allowed Shearmur to impart an ethereal and distinctly organic aural patina to these cues. Though informed by his atmospheric session work with Pink Floyd (The Division Bell), Shearmur's K-PAX score stands apart: quiet, mystically introspective music that seems as uncomplicated–and yet innately profound–as an autumn breeze.

Percussionist Charles K. Noyes was a very active member of the downtown New York avant scene of the late '70s and early '80s, performing with musicians such as John Zorn, Elliott Sharp, and Fred Frith, before retreating from view during the '90s. Full Stop provides a fairly full picture of what he was up to, compiling solo works recorded from 1990-1999. The overall mood is a bleak and harsh kind of ambient music, soundtracks for a barren, desensitized landscape but one that holds more than a hint of mystery. Percussion as a rhythmic element is almost entirely absent here. Instead, Noyes utilizes a range of processed sounds, strings, electronics, and the occasional musical saw to produce sonic pictures that might be described as the Eno of On Land in a particularly morose and misanthropic mood…

"Tunnel" is Buckethead's third album under the name Death Cube K (an anagram for Buckethead) and the first to not feature Bill Laswell. Instead, it is one of the first collaborations of Buckethead and keyboardist Travis Dickerson. The album was released on July 10, 1999 by TDRSmusic and co-produced by Dickerson. It is in a different genre of Buckethead's work, pushing a dark ambient sound, while still being within the experimental genre.