Kaleidoscope Further

This is a significant recording for several reasons. Sergio Vartolo has now recorded all of Frescobaldi’s keyboard music (the other issues were on the Tactus label). The Fantasie (1608) and Ricercari (1615) are the earliest of Frescobaldi’s keyboard publications (the latter being issued in the same year as the more famous first book of Toccatas), and as far as I’m aware neither had been issued complete before; so to get both together, and at super-budget price, is treasure-trove indeed. Frescobaldi fanatics need read no further. (Gramophone)

Long ago, before science explained the mechanics of the heavens, primitive cultures looked to the skies for insight and enlightenment. Predicting events, measuring time, provoking awe and terror, the observation of the celestial sphere was of utmost importance, and through those mystic ages the shock of an unexpected eclipse would become a beacon in time, impacting people’s lives, religions, and cultures for generations. This meaningful phenomenon is the inspiration for Eclipse, the second collaboration of tribal-ambient soundscapes from ethno-electronic recording artists Frore & Shane Morris…

L'Arpeggiata's previous recordings have blended popular or folk-inspired elements with music of the Baroque in striking and imaginative ways. 'All'Improviso' takes this melting-pot approach even further, combining the Baroque ostinato bass with improvisatory techniques from both the historically aware stream of 21st-century music-making and of jazz through the participation of the clarinettist Gianluigi Trovesi.

“There are times,” says pianist Frank Woeste, “when I think how useful it would be to have a third hand.” That thought seems to encapsulate an important trait in Woeste's playing, namely his natural urge to arrange and to orchestrate at the piano, something which is evident right from the start of his album “Pocket Rhapsody.” Woeste is not just an exceptionally fine pianist and a gifted exponent of the Fender Rhodes, he also has a thorough understanding of his own creative process. If all art is about leaving an impression, then Woeste's mission is to etch a deep mark both as a player and as a composer. His debut as an artist on ACT, then, not only reveals a musician brimming with ideas, but also a fully-fledged composer and an extremely adept arranger. His trio with guitarist Ben Monder and drummer Justin Brown creates a sound which is orchestral in its scale and its impact. The intimacy of chamber music goes hand in hand here with the forward propulsion of a jazz trio, and with the power of a big band. In other words, the title “Pocket Rhapsody” gets it right.