Karayan Symphonic Edition +++

Alan Parsons was 19 years old when he landed a job at the world famous Abbey Road Studios, an important first step on his journey to becoming a world class engineer, producer and artist. Following his beginnings with George Martin and The Beatles, his contribution to Pink Floyd's classic 'The Dark Side Of The Moon' earned him worldwide attention. As a producer he had many hits with Pilot, John Miles, Ambrosia and Al Stewart. Together with his manager and creative partner at the time, Eric Woolfson, he developed the Alan Parsons Project. Following their debut album "Tales Of Mystery And Imagination" (1976), they released a series of hit albums; namely "I Robot" (1977), "Pyramid" (1978), "The Turn of a Friendly Card" (1980), "Eye in the Sky" (1982), "Ammonia Avenue" (1984), "Vulture Culture" (1985), "Stereotomy" (1986) and "Gaudi" (1987).

There aren't too many bands out there that can say they have been around for a decade, let alone a quarter of a century. For those few that manage to hit the twenty five year mark, some sort of celebration is usually in order. Some might go on a world tour and appeal to their aging fanbase, while others may record an album or release a collection of shelved demo tracks for the diehard followers to eat up. Of course, Therion have never been known to follow in the footsteps of others. Although the operatic symphonic metal style is all-too common in current metal culture, Therion carved out their own niche, unshackling from their death metal roots and taking a more sophisticated and experimental approach to the symphonic style. With that in mind, it's no surprise that Therion didn't decide to celebrate things the regular way; instead, they went ahead and did an album of 1960's French pop song covers…

Ars Nova is back with a new cd which is different than their previous records. This new cd actually has a singer which plays one of the main roles along with the keyboards department. Ars Nova is still splendidly symphonic, however, this time things are a little different since there are vocals, violins and so on…

Oceanborn is the second studio album by Finnish symphonic metal band Nightwish. It was released in Finland by Spinefarm Records on 7 December 1998 and in the spring of 1999 worldwide. This album marked a definitive change in musical scope for Nightwish from their folk-laden roots in Angels Fall First, showcasing a more bombastic, power metal-oriented sound with faster tempos, harmonic guitar/keyboard leads, and plenty of double-bass-heavy drumwork. During that time, Stratovarius was Holopainen's biggest inspiration, hence the power metal sound of the album. Oceanborn's sound hearkens a more dramatic approach in the overall musical scope, mostly relegated to the symphonic keyboard work and lead singer Tarja Turunen's vocals.

Therion mastermind Christofer Johnsson has never recovered from hearing the choir come in at the end of Ozzy Osbourne's "Diary of a Madman." While 2002's Secret of the Runes, a conceptual work celebrating the nine different worlds of Norse mythology, was technically flawless and endlessly atmospheric, its orchestral and choral wall of sound seemed pasted on rather than successfully integrated into the electric onslaught. After a two-year hiatus, Therion return with not one but two records, the blistering, elegiac, and overall stunning Lemuria/Sirius B. This time around, the Scandinavian heavy metal equivalent of the Moody Blues eulogizing a Viking funeral have mastered their dark art and created the finest record of their career…

Symphonic metal institution Sirenia are renewed in darkness on their tenth studio album, Riddles, Ruins & Revelations. The quartet around mastermind, bandleader, multi-instrumentalist, composer, songwriter and producer Morten Veland is certainly not afraid of combining a heavy symphonic sound with modern influences, which their record, Arcane Astral Aeons (2018) is proof of. This time, Sirenia offer an exciting new twist to their songs, spicing them with electronic vibes, but never losing sight of their musical core.
The four-piece remains as true to their album title word-play as they do to their dedication to symphonic soundscapes, drawing the listener into a pounding narrative about the darkest aspects of life…

Monumental isn’t even a word strong enough to describe the new Epica offering, Ωmega, the first collection of all-new material in five long years. On their eighth full-length, the Dutch symphonic metal titans go all cinemascope, in a stunt both effortlessly and cunningly unleashing their biggest, grandest, flashiest opus yet. Mind you, that’s not lightly said for a band like Epica. Formed by composer Mark Jansen after leaving After Forever back in 2002, they quickly gained attention outside their home country, taking big steps towards becoming the leading symphonic metal superpower they have long proven to be. After their ambitious debut The Phantom Agony (2002) and the surprisingly eclectic sophomore work, Consign To Oblivion (2005), the road took them to new heights via their first concept masterpiece, The Divine Conspiracy (2007) and their global breakthrough, Design Your Universe (2009).

A perfect collision of Metal and Classical Music! Swedish symphonic metal legends Therion have returned to deliver another masterpiece - fulfilling the Leviathan trilogy. With more than 35 years under their belts, the band around mastermind Christofer Johnsson was one of the first to combine metal with symphonic and orchestral elements back in the 90s, and are considered one of the most style-defining founders of symphonic metal today. Now, the band continues their legacy by releasing the third installment of the Leviathan trilogy, Leviathan III. The band continues with their versatile and style-combining musical journey, which is also formed by the fundamental line of its predecessors Leviathan and Leviathan II.