Kapila

Sānkhya significa ‘enumerazione’ e riguarda lo studio della realtà analizzando e individuando tutti i suoi elementi. Il testo classico di tale scuola è la Sāmkhyakārikā di Ǐsvarakrishna (tra il I/V secolo d.C.), anche se la sua radice risale a Kapila deva (un Avatara). Secondo tale visione sono due le macro-realtà cosmiche: il Puruṣa e la Prakriti. Il Puruṣa è il soggetto spirituale che osserva la Prakriti, cioè la materia nelle sua varie manifestazioni. Gli elementi grossolani derivano dagli elementi più sottili e la causa ultima è non materiale; è quindi una negazione del materialismo. Le anime, i singoli Puruṣa, assistono come spettatori alle modificazioni del corpo e della materia. È l’identificazione col corpo che crea nell’anima l’illusione di appartenere al mondo materiale..

In this no-holds-barred account, the former head of the United Nations in Sudan reveals for the first time the shocking depths of evil plumbed by those who designed and orchestrated 'the final solution' in Darfur.

If history has always been written by the winners, in the case of Spain's youth music of the late '50s and early '60s, it has basically been told by the records, first by the few that were actually released, and finally by the lucky ones that enjoyed certain success and critical appreciation. Set aside as marginal, the rest have been left ignored due to the debatable and apparently set in stone statement that the history of Spanish rock starts with the legendary festivals at Madrid's Price venue promoted by musician Pepe Nieto, then drummer in Los Pekenikes. Without wanting to reduce in the slightest the importance of those shows as a revitalizing element of Spain's rock scene, the start date of those famed Madrid matinees (end of 1962) doesn't respect the fact that at the end of the '50s, and at the pace that the autarkic Spanish society of the time allowed, the foreign young rhythms slowly reached the country with the healthy intention to stay and make people dance.

If history has always been written by the winners, in the case of Spain's youth music of the late '50s and early '60s, it has basically been told by the records, first by the few that were actually released, and finally by the lucky ones that enjoyed certain success and critical appreciation. Set aside as marginal, the rest have been left ignored due to the debatable and apparently set in stone statement that the history of Spanish rock starts with the legendary festivals at Madrid's Price venue promoted by musician Pepe Nieto, then drummer in Los Pekenikes. Without wanting to reduce in the slightest the importance of those shows as a revitalizing element of Spain's rock scene, the start date of those famed Madrid matinees (end of 1962) doesn't respect the fact that at the end of the '50s, and at the pace that the autarkic Spanish society of the time allowed, the foreign young rhythms slowly reached the country with the healthy intention to stay and make people dance.

Acuity started out in 2012 as a studio project of Sanjiv Sathiah under the band name Neodymium Project releasing three singles. The Fallout (feat. Steve Stevens), The Shape of Things to Come (feat. Clint Lowery) and Only Human (feat. Clint Lowery and Steve Williams) are all available at online music retailers worldwide. The debut album Nature | Nature is being released under a new moniker Acuity. It explores the inner struggles we can have while also exploring part our DNA and our upbringing play in shaping who we are and can become. If you love guitars, there is a better than fair chance you will love this album. It was made by a guitar lover for guitar lovers. Every track features an epic solo with the stunning talents of James Norbert Ivanyi, Stephen Taranto and Oumi Kapila on display.