This oddly titled CD (which was issued in 1997, hardly the 20th anniversary of Duke Ellington's death in 1974), seems to be a recording that was made by a member of the sound crew for a 1963 concert in Switzerland, including roughly the first half of the show. Although the instruments are all audible, the rhythm section is picked up far better than the reeds or brass on several selections, which also have been resequenced instead of leaving them in the order in which they were performed. On these tracks, the microphones sound as if they are at the back of the stage, making the full band sound rather muffled. Yet clarinetist Jimmy Hamilton is very audible in "Silk Lace," while members of the brass section play various percussion instruments to back violinist Ray Nance in the exotic "Guitar Amour."
La Maison du Duke is proud to present a collection of unpublished recordings of Duke Ellington, which come from an important stock of Ellington archives (Clavié collection), acquired by the association, which only a few collectors had access to today . The CDs are reserved for members of the Maison du Duke association and are not intended to be marketed.
La Maison du Duke is proud to present a collection of unpublished recordings of Duke Ellington, which come from an important stock of Ellington archives (Clavié collection), acquired by the association, which only a few collectors had access to today . The CDs are reserved for members of the Maison du Duke association and are not intended to be marketed.
Much of the music on this CD from Duke Ellington's 1958 Paris concerts is familiar to collectors from its appearance on various European bootleg labels, but Pablo does a better job arranging and annotating this music, which was recorded by Radio France with permission. The program mixes favorites such as "Take the 'A' Train" (featuring trumpeter Ray Nance, who also soloed on its recorded debut), the always exciting medley of "Kinda Dukish" and "Rockin' in Rhythm" (though the first piece is not listed), and the inevitable wailing extended solo by Paul Gonsalves in "Diminuendo and Crescendo in Blue." "Juniflip," a fairly new piece written to feature Clark Terry's matchless flügelhorn, was performed only a handful of times and left the band book with his departure the following year…
A superb selection of material here from another jazz icon: 'Back to Back' (1959) is the famous collaboration between Ellington and alto saxophonist Johnny Hodges; 'Live at The Whitney' (Recorded 1972) is a rare piano-trio date recorded at New York's Whitney School Of American Art; and 'Soul Call' (1967) is a classic big-band album recorded live at the Antibes Jazz Festival, featuring barnstorming versions of 'Caravan' and 'Skin Deep'.
During the month of July 1966, Duke Ellington & His Orchestra performed at the Juan-les-Pins/Antibes Jazz Festival on the French Riviera, locally known as the Côte D'Azur. Situated near a stand of towering pine trees, the stage allowed the instrumentalists to gaze at vessels sailing by on the surface of the Mediterranean Sea. Ellington & His Orchestra, sometimes graced with the presence of vocalist Ella Fitzgerald, were filmed and taped extensively. When Ellington's Soul Call album was released in 1967, there was only room for 14 tracks…