Alternately trippy and thunderous, this 1974 LP (featuring Fripp, Bruford and Wetton) hit the U.S. charts almost a year to the day after Larks' Tongues in Aspic did. The Great Deceiver; Lament; The Night Watch; Trio this experimental gem managed to outdo the prog classic that preceded it; this reissue is full of alternate mixes and other special treats. The CD features a new stereo mix plus bonus tracks including the ultra-rare (performed once only) Guts on My Side . The DVD-Audio disc has the original and new mixes plus a 5.1 surround mix, 5.1 Lossless audio and stereo mixes, video footage of Easy Money and an improv from NY's Central Park ('73), audio extras including live cuts and radio edits and more!
To celebrate their 50th anniversary, King Crimson are releasing 50 rare or unusual tracks from the archives. Starting on 13th January, the date the band was formed in the Fulham Palace Café in 1969, these tracks will be released one a week for the remaining 50 weeks of 2019. Each track will be introduced by a commentary from David Singleton, King Crimson manager and producer.
In the Court of the Crimson King (subtitled An Observation by King Crimson) is the debut album from the English rock band King Crimson, released on 10 October 1969 on Island Records in England and Atlantic Records in America. The album is one of the first and most influential of the progressive rock genre, where the band largely departed from the blues influences that rock music was founded upon and combined elements of jazz, classical, and symphonic music. The album reached No. 5 on the UK Albums Chart and No. 28 on the US Billboard 200, where it was certified Gold. The album was reissued several times in the 1980s and 1990s using inferior copies of the master tapes. After the masters were located in 2003, a 40th-anniversary edition of the album was released in 2009 with new stereo and 5.1 surround sound mixes by Steven Wilson.
Album Details Recorded over a period of 10 days in August 1969 & released on October 10th of the same year In The Court Of The Crimson King stands as one of the defining albums of British rock music & one of the finest debut albums of all time. Described at the time as "an uncanny masterpiece" by Pete Townshend, the album has achieved legendary status over the years. It is the only studio document of an extraordinary year in the life of King Crimson; a year that began with the group's first rehearsals on January 13th, included a residency at the Marquee Club, a concert in Hyde Park with The Rolling Stones, the recording and release of the album and ended with the dissolution of the lineup at the close of Crimson's 1st American tour in December. In the 40 years since its release In The Court of the Crimson King has never been out of print or unavailable in any of the world's main music markets & continues to enjoy consistently high sales. Now expanded with a completely new mix, previously unreleased tracks & a stunning 5.1 Surround Sound mix. Steven Wilson said of the mixing work "The intention is certainly not to try to replace or supersede the 1969 mix (which, like many classic albums, is what it is partly because of the limitations of the original recording circumstances), but to provide an alternate perspective to what must now be considered not only a rock masterpiece, but also the foundation stone of progressive rock."
Having released two albums in a nine month period between October 1981 and July 1982, “Three of a Perfect Pair” is the final part of the recorded trilogy begun with “Discipline” and “Beat”. Originally released in April 1984, from the pointillist minimalism of the title track through to the urgent rush of ‘Sleepless’ and the album’s closer ‘Larks’ Tongues in Aspic III’ - the only reference to the 1970s incarnations of the band – Crimson’s distinctive mixture of rock, electronica, funk and pure pop songs, ensured the group’s status as one of the most interesting and innovative bands of the decade.
King Crimson achieved the rare feat of marrying their hard-fought, hard-hitting prog sound with the bristling energy of new wave on this 1981 triumph, which nearly cracked the Top 40. The title cut; Frame by Frame; The Sheltering Sky , and the rest of the original LP featuring Fripp, Buford, Levin and Belew is here on CD in a new stereo mix with bonus alternate mixes. The DVD-Audio disc adds a 5.1 DTS mix, hi-res stereo mix, original album mix, new album mix and even a rough mix from the original sessions. On top of that, you get the 1981 12" dance mix of Elephant Talk and other audio extras plus footage of The Old Grey Whistle Test performances, new notes co-written by Fripp and more!
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974) trilogy. Plus, the Lizard sessions were difficult and the core group lineup acrimoniously collapsed immediately afterward, as bandleader/guitarist Robert Fripp, with lyricist Peter Sinfield, continued brave efforts to save King Crimson from disintegrating as the group's lengthy history was just getting underway…
"Pictures of a City" seems meant to pick up where "20th Century Schizoid Man" left off, with it's furious ensemble passages, knotty Fripp guitar leads and Greg Lake's authoritative vocal. "Cadence and Cascade" helps fill out the ballad quotient with a beautiful, wispy vocal from transitional singer Gordon Haskell. A valuable note of humor is interjected into the proceedings via the jokey, off-handedly jazzy "Cat Food." Keith Tippet's piano and Mel Collins' sax–both soon to play larger roles–were introduced on POSEIDON as well.