King Crimson 40th Anniversary

King Crimson - Red (1974) {40th Anniversary Series, 2009} [CD + DVD-A]
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 424 Mb | MP3 @320 -> 144 Mb
DVD-A | ISO | Audio: MLP: 5.1 / 2.0 (24/96) | DTS: 5.1 (24/48) | LPCM: 2.0 (24/48) | 7.32 GB
Full Artwork @ 300 dpi (png) -> 92 Mb | 5% repair rar
© 2009 DGM / Robert Fripp | KCSP7
Rock / Art Rock / Prog Rock

The release of King Crimson’s seminal 1974 album Red continues the overhaul of the progressive rock band’s catalog that also — so far anyway — includes their debut album In The Court Of The Crimson King and Lizard. As was the case with those two albums, the remastering of this album was overseen by Porcupine Tree’s Steven Wilson, along with founding member Robert Fripp. Wilson was a great choice for this task for a couple of reasons. He’s a longtime fan, and with Porcupine Tree and his other many projects, he also definitely has the necessary prog-rock credentials.

The 19-disc limited edition box set 'On (and Off) The Road' presents a complete overview of the enduringly popular 1980's incarnation of King Crimson…

King Crimson - THRAK (1995) {2xBlu-ray only 40th Anniversary Series DGM KCCBX13 rel 2015}
2xBLU-RAY -> 75.7 Gb | 1080p | DTS-HD Master Audio 5.1 / LPCM 2.0 / 5.1 | 24-96 | ISO Images
Full Artwork @ 600 dpi (jpg) -> 1.13 Gb | 5% repair rar
© 1995, 2015 Panegyric / Discipline Global Mobile | KCCBX13
Rock / Art Rock / Prog-Rock / Avant-Prog

The 1994 return of King Crimson was timed perfectly, matching, in no particular order, one of the peak periods for CD sales, a time of great variety of radio formats in the USA, the growth of a number of bands who pointed eagerly to the influence of King Crimson - especially of the 1972-74 band - a more positive critical reception for the band, following the remasters of the catalogue, Frame by Frame and Great Deceiver boxed sets supervised by Robert Fripp. Such timing not only benefited from the release of the various musicians from their other musical commitments, but in Robert Fripp's case, the ultimately successful battle to regain control of King Crimson's catalogue.

“Beat” was released in June 1982 just eight months after the 80s Crimson lineup debut album “Discipline”. It marked the first occasion where a King Crimson line-up had remained intact for a two album stretch and was also the first album by the band to employ a separate producer – Rhett Davies. As with other albums in the King Crimson CD/DVD-A series, the stereo CD features a new stereo mix by Robert Fripp and Steven Wilson, while the DVD-A features 5.1 mixes of the album by Steven Wilson, high resolution stereo mixes of the original and new stereo mixes. Additionally, the original album is presented in rough mix form along with additional audio extras, video performance footage of two songs from The Alabamahalle, Germany and the original promo film for Heartbeat.

As Robert Fripp had done with King Crimson's first live LP, Earthbound (1972), USA (1974) is a single-disc concert package documenting the quartet during its most concurrent swing through North America. As with its predecessor, USA was also issued as a sonic cenotaph of the concurrently defunct Krim…

King Crimson - Larks' Tongues In Aspic (1973) [CD+DVD-A] {2012, 40th Anniversary Series}
EAC Rip | FLAC (image+.cue+log) - 375 MB | Scans PNG - 96 MB | MP3 CBR 320 kbps (LAME 3.98) - 156 MB
DVD-A | ISO+MDS - 7,39 GB | Audio: MLP: 5.1 / 2.0 (24/96) | DTS: 5.1 (24/48) | LPCM: 2.0 (24/48)
Genre: rock | RAR 5% Rec. | Label: DGM / Panegyric | CAT # KCSP5 | 2012

Two-disc CD/DVD-A package. Remixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) and fully approved by Crimson founder Robert Fripp. CD features a completely new 2012 stereo album mix by Robert Fripp & Steven Wilson, as well as three extra, previously unreleased, alt takes/mixes by Steven Wilson. DVD A (compatible will all DVD players and DVD Rom players) features a 5.1 DTS Mix and High Resolution Stereo mix (24bit/48khz). DVD A players, and some Blu Ray players can, additionally access a 5.1 Advanced Resolution (Lossless Audio) mix. DVD A features both the original album mix, new album mix and an album's worth of alternate mixes by Steven Wilson in High Resolution stereo.

King Crimson - Larks' Tongues In Aspic (1973) [CD+DVD-A] {2012, 40th Anniversary Series}
EAC Rip | FLAC (image+.cue+log) - 375 MB | Scans PNG - 96 MB | MP3 CBR 320 kbps (LAME 3.98) - 156 MB
DVD-A | ISO+MDS - 7,39 GB | Audio: MLP: 5.1 / 2.0 (24/96) | DTS: 5.1 (24/48) | LPCM: 2.0 (24/48)
Genre: rock | RAR 5% Rec. | Label: DGM / Panegyric | CAT # KCSP5 | 2012

Two-disc CD/DVD-A package. Remixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) and fully approved by Crimson founder Robert Fripp. CD features a completely new 2012 stereo album mix by Robert Fripp & Steven Wilson, as well as three extra, previously unreleased, alt takes/mixes by Steven Wilson. DVD A (compatible will all DVD players and DVD Rom players) features a 5.1 DTS Mix and High Resolution Stereo mix (24bit/48khz). DVD A players, and some Blu Ray players can, additionally access a 5.1 Advanced Resolution (Lossless Audio) mix. DVD A features both the original album mix, new album mix and an album's worth of alternate mixes by Steven Wilson in High Resolution stereo.

Deluxe box set containing 21 CDs, four Blu-rays and two DVDs - all audio. Three CDs feature Steven Wilson and Robert Fripp stereo mixes of In The Wake Of Poseidon (1970), Lizard (1970) & Islands (1971) + additional tracks. Six CDs feature the Islands line-ups early concerts from Germany (new to CD) and the UK (1971). Nine CDs feature live recordings (several new to CD and/or previously unreleased in any format) from the 1972 US tour, including a new stereo mix of Summit Studios and an expanded Earthbound…

Recorded between the band’s numerous live dates, Islands continues King Crimson’s penchant for mixing contrasting styles and dynamics; from the gothic melodrama of The Letters, the warm laid-back musings of Formentera Lady, the stately chamber orchestra setting of Song Of The Gulls, through to the raucously skewed blues of Ladies Of The Road and the yearning, poignant title track. The stand-out however, is Sailor’s Tale which breaks with the symphonic and jazz-inspired leanings of their previous albums. Propelled by Ian Wallace’s insistent cymbal and Mel Collins’ acerbic sax break, it also introduces a spikier, fractious metal-edged guitar sound that ultimately points the way towards Larks’ Tongues In Aspic. Originally released at the end of 1971, Islands also marks the end of lyricist Peter Sinfield’s tenure in the group…