King Crimson Construkction

The ProjeKcts were/are devised as 'research units' to find possible futures for the fuller Crimson line-up. This box comprises the four live discs and kicks off with Jazz Café (KC have an amazing ability to play the most unlikely places)…

A 2019 addition to the popular Tour Box series, originally created for concert venue sales on King Crimson’s 2019 European tour. As with previous releases in the series, the full variety of King Crimson’s music is presented over 2 CDs with extracts from rehearsals, new live recordings, elements from studio recordings, full tracks, alternate takes and finished recordings from 1969-2018.

Radical Action to Unseat the Hold of Monkey Mind is a box set by King Crimson, released on 2 September 2016. The box set contains recordings from the group's 2015 tours of Japan, Canada and France. Some of the material has not been performed live since the 1970s, although the songs were rearranged to suit the current line-up…

Three CDs featuring the complete concert from Vienna on Dec. 1st 2016 mixed from the original multi-track tapes. CDs Presented in concert sequence with discs 1 & 2 featuring the complete first and second sets. CD 3 features Vienna encores plus the long awaited live recorded debut of Fracture by the 2016 line-up as performed in Copenhagen. CD3 also features a series of soundscapes edited into newly sequenced pieces. Drawn from the introduction music (composed/improvised afresh for each night) & featuring Robert Fripp, Mel Collins & Tony Levin, this essential component of current live KC shows also receives it's most complete presentation to date. Presented in a 4 fold-out digifile package with 16 pages booklet featuring tour photos & notes by David Singleton & housed in a slipcase.

After the six-man King Crimson disbanded in the spring of 1997, Adrian Belew (guitar/drums), Bill Bruford (percussion/drums), Robert Fripp (guitar), Trey Gunn (Warr guitar), Tony Levin (bass), and Pat Mastelotto (percussion/drums) agreed to splinter into a series of sequential ProjeKcts. These subgroups provided active research and development of new material and performance techniques in front of an audience, ultimately serving the next manifestation of the greater Krim. Here listeners are treated to a variety of instrumental works from each initial fractal. ProjeKct Three commence this sampler with Fripp, Gunn, and Mastelotto unleashing some industrial-strength improvisations during the sprawling seven-movement "Masque" suite, which clocks in at over 20 minutes…

This 45-minute mini-set captures the quartet - Adrian Belew (guitar/vocals), Robert Fripp (guitar), Trey Gunn (Warr guitar), and Pat Mastelotto (percussion) - thrashing out some of the most intense and rhythmically diverse sounds to ever bear the King Crimson moniker. Likewise, Level Five reveals a band reaching for and obtaining new levels of soul - a quality sorely absent in the " alternative" rock of the early 21st century. A majority of the instrumental material makes its debut release on this disc. However, "The ConstruKction of Light" and "The Deception of the Thrush" date as far back as the ProjeKcts - five unique incarnations of King Crimson circa the mid-'90s. These various ProjeKcts toured, recorded, and rehearsed, finally settling into the reformed quartet heard here…

It appears that just when you thought the folks at Discipline Global Mobile had re-released every single King Crimson track in as many configurations as possible, they surprise you with another compilation: 2005's The 21st Century Guide to King Crimson, Vol. 2: 1981-2003. Following in the footsteps of 2004's The 21st Century Guide to King Crimson, Vol. 1: 1969-1974, the second volume combines the best tracks from Crimson's studio albums from the advertised period, as well as mixing in live takes and rarities. When Crimson reconvened in 1980 after an extended hiatus, no one could have predicted that the group would have more in common sonically with Talking Heads and the Police than Yes and Genesis.

By all accounts, the somewhat unexpected 2014 King Crimson tour was a resounding success and Live at the Orpheum is the first offering for those who were unable to attend. The band had been reinvented with a combination of new and returning players and the set list consisted largely of tunes that hadn't been performed live since the '70s, if at all. The main wild card was the three-drummer front line, which easily could have turned into a mess, even without music as challenging as Crimson's. Well, the time the three drummers (Pat Mastelotto, Bill Rieflin, and Gavin Harrison) spent rehearsing before convening the entire group was well worth it, because they play with a single mind throughout. The returning Mel Collins sounds fantastic on all manner of saxophones and flute, and hearing Tony Levin's amazing bass playing on all these old King Crimson tunes is a real treat…