King David 1985

Five centuries, seven languages, and six singers with 35 years of remarkable experience inform this rare collection of choral music. In the world-renowned King's Singers resplendent voices, ancient and modern choral music comes to life with all the blazing immediacy and timeliness of the gospel of the nativity. With 25 pieces of music–ranging from familiar works such as "Coventry Carol" to the obscure Tchaikovsky piece "The Crown of Roses"–the King's Singers move through this hallowed and festive set with the vocal mastery that only three-and-a-half decades of accomplished work together is capable of creating. A number of contemporary carols written in the last century by composers such as John McCabe, Philip Lawson, John Rutter, and others are balanced by pieces by Bach and a host of traditional works. Lawson's "You Are the New Day," performed with a string quartet, stands out as one of the more notable performances. Like most of their music throughout Christmas, it reminds listeners that the art of music often interprets divine aspects gladly realized here on Earth.

For many, Christmas wouldn’t be Christmas without the sound of carols sung from King’s College Chapel, and each year over the festive period millions around the world enjoy the Choir’s A Festival of Nine Lessons & Carols. This two-part collection celebrates 100 years of the iconic service with a mix of brand-new performances and historical recordings not heard since the original BBC broadcasts.

Acts I and III of this oratorio are sumptuous pageants: Solomon on the throne with his adoring Queen; Solomon receives the Queen of Sheba. In between, Act II's depiction of Solomon's judgment (over the baby) is one of the finest dramatic scenes Handel wrote in any context. The First Harlot's fear, desperation, and gratitude, the Second Harlot's grief-crazed jealousy, Solomon's serene wisdom–all are smashingly portrayed by Handel and by Rodgers, Jones and Watkinson. Argenta's Queen is a girlish delight; the regal Hendricks as Sheba sounds quite comfortable among these Baroque specialists; Rolfe Johnson and Varcoe have two splendid arias each. The choir and orchestra–whether in the amorous "Nightingale" chorus, the sequence of pictorial numbers in Act III, or the stunning double choruses throughout–are magnificent.

The Commodores made one final stab at regaining R&B glory when Lionel Richie and producer/arranger James Anthony Carmichael both left in the mid-'80s. J.D. Nicholas became their lead singer, and Dennis Lambert assumed production duties. They rebounded temporarily, when "Nightshift" leaped out of an otherwise ordinary album to become a Grammy-winning R&B and pop smash. It stayed atop the R&B charts for a month, and peaked at #3 on the pop chart. Unfortunately, it was also the end for Thomas McClary, who left the group once the album had run its course. It was their next-to-last hit, and basically the end for the band, although they continued for a couple more years.

Formed in the spring of 2014 under the name No Man’s Land, King Company is a band featuring cream of the crop Finnish Hard Rock scene members. Drummer Mirka "Leka" Rantanen (Raskasta Joulua, Warmen, Thunderstone, Kotipelto) had been thinking about forming a new Hard Rock/Melodic Metal band for a long time. He wanted to play with people with whom he had worked before and who he knew both as good musicians and as friends. First, he contacted guitarist Antti Wirman (Warmen) who immediately joined the band. Singer Pasi Rantanen was in Mirka's mind from the beginning, as they had played together in a couple of bands before (Thunderstone, Warmen). After keyboardist Jari Pailamo (Kiuas, Ponies To Kill) and bassist Time Schleifer (Enfarce) joined the band, this super group of sorts was finally ready to start working.

Live Aid was a benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the 1983–1985 famine in Ethiopia. Billed as the "global jukebox", the event was held simultaneously at Wembley Stadium in London, UK, attended by about 72,000 people and John F. Kennedy Stadium in Philadelphia, US, attended by 89,484 people.

Live Aid was a benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the 1983–1985 famine in Ethiopia. Billed as the "global jukebox", the event was held simultaneously at Wembley Stadium in London, UK, attended by about 72,000 people and John F. Kennedy Stadium in Philadelphia, US, attended by 89,484 people.