Kingdom+come

Victor Peraino's Kingdom Come evolved out of the dissolution of the legendary Arthur Brown's Kingdom Come in 1974. Peraino was the keyboard player in the album and upon returning to his homeland in Detroit, USA he somehow kept the rights to use the name for a new band he was about to set up. He recruited two bassists, two guitarists, two drummers, a flutist and with him on keyboards, lead voices and production the album "No man's Land" was recorded and released privately in 1975.
"No man's Land'" is a strange album. However its quality is undenieable, even if the leading force is Hard/Psych Rock, not unlike Peraino's experience next to Arthur Brown on "Journey", along with some powerful doses of US-styled Pomp Rock. But this is some very dense, rich, passionate and 100% progressive music…

Kingdom Come is the debut studio album by American heavy metal band Sir Lord Baltimore, released on Mercury Records in 1970. It was reissued on PolyGram in 1994, on Red Fox in 2003, and on Anthology Recordings in 2007. The 1994 and 2003 re-releases also contained 1971's Sir Lord Baltimore, and were titled Kingdom Come/Sir Lord Baltimore. The re-release has a different track listing than the source material, transposing the original records' A- and B-sides. This compilation featured the same cover image used on Kingdom Come, only with that album's title removed.

Hands Of Time is the third full length release from German/American Hard Rock/Heavy Metal band Kingdom Come issued in 1991 by Polydor/PolyGram Records. In 1989, Kingdom Come released their second LP, 'In Your Face', with (initially), strong sales to rival their platinum selling debut, when the band abruptly broke up for personal reasons in August, 1989. Without the rest of the band, lead vocalist and primary songwriter Lenny Wolf choose to retain the band's name and record a third album; the band's final international release on Polygram. Co-writing with harpist/songwriter Carol Tatum (Angels Of Venice), Wolf recorded the album with several session guitarists and drummers, including future Poison guitarist Blues Saraceno, and former Dancer drummer Bam Bamm Shibley. As well as singing and co-writing all the songs, Wolf also played bass and produced the album.

Kingdom Come were a British band of the 1970s, that played psychedelic, experimental progressive rock music. They were fronted by Arthur Brown, who gave them his theatrical style and voice…

High-profile games aren’t exactly innovative these days. Because of that, Warhorse Studios’ Kingdom Come: Deliverance comes as a revelation. Originally conceived as a crowd-funded project, Deliverance seeks to reinvent the RPG genre in a number of ways. Its adherence to historical accuracy and overall attention to detail is nothing short of awe-inspiring. Folks looking for something exceptional will find a lot to appreciate here.

This is Arthur BROWNn's second album with KINGDOM COME, a self-entitled album released in 1972. So you don't confuse it with any other band called KINGDOM COME (such as the '80s band), look for the album cover that has a crescent and star, and this is the album you'll be looking for…

Remember when, in the 1980s, the hard rock landscape was littered heavily with Led Zeppelin impostors? The apex of this so-called movement was probably 1987 through 1989, when metalheads were treated to such popular Zep-like releases as Whitesnake's self-titled commercial breakthrough and Bonham's The Disregard of Timekeeping. But possibly tops on the "Zep disciple" list were Kingdom Come, with their debut album Kingdom Come and single "Get It On," which were big hits. Their subsequent albums failed to perform as well (guess fans realized that one Zep was enough), but Kingdom Come singer Lenny Wolf has persevered and stuck to his guns throughout the years by fronting various lineups of the band.

Rumbling, generic hard rock/metal, the record's primary distinction being that it was one of the first of its kind. Touches like the harpsichord on the ballad "Lake Isle of Innersfree" made it clear that the band was interesting in more than bombastic boogie…