1923

Various Artists - Jazz From Atlanta 1923-1929 {Timeless Historical CBC 1-038 Jazz rel 1997}
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© 1923-1929, 1997 Timeless Records | Timeless Historical Series | CBC 1-038 Jazz | Mono
Jazz / Early Jazz

The main jazz recordings were made in New York, Chicago, and to a lesser extent New Orleans, but Timeless has produced a series featuring the territory bands. This CD features two fine outfits which recorded in Atlanta during the twenties. Charles Fulcher is represented by two sides recorded for Okeh in 1923, and thereafter for Columbia; five in 1925 (two by his Dance Trio), and one apiece in 1926 and 1929. It's worth noting that all were written by him, including "My Pretty Girl", the most famous version of which was by Jean Goldkette.

Rosa Ponselle - The Victor Recordings 1923-1925 (1994) {2CD Set Romophone 81006-2}
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© 1923-25, 1994 Victor / Romophone | 81006-2
Classical / Vocal / Historical

For Romophone, 'complete' means just that. The Ponselle has every playable 'take' made in that period, issued or not, seventeen of them, all fascinating, many never available before and none so precisely pitched…. Ponselle's Romophone CD is self-recommending. What a voice! True, the recordings are, for the most part, primitive in comparison to what we have today. Even so, this glorious and honest voice, so free of artsy affectation, reveals a beauty and artistry that has its roots in the simple perfection of classical Greece and Rome.

Part of Classics' excellent chronological series, this examines Jelly Roll's recordings from 1923 to 1924, beginning with a Paramount single with his orchestra, "Big Fat Ham," followed by "Muddy Water Blues." Next up are the first six issued Gennett piano solos, then stray singles by Morton's Jazz Band, Steamboat Four, and Stomp Kings. These are proceeded by four more piano solo sides, which were cut for Paramount, before finishing out with a marathon piano solo session for Gennett in 1924.

1923-1927 (1990). Pianist Bennie Moten led one of the finest jazz bands on record in the 1920s, a group that included many of the top musicians of the Midwest. On the first of four Classics CDs - all of which are recommended to vintage jazz collectors - that reissue the master takes of all of Moten's recordings, the band quickly evolves from a sextet in 1923 to a solid 11-piece orchestra. Despite a few novelty effects (including clarinetist Woody Walder occasionally getting weird sounds by playing only the mouthpiece of his horn), even the most primitive numbers on this set are quite enjoyable. Highlights include the original version of "South" (Moten's big hit), "Goofy Dust," "Thick Lip Blues" and "Sugar"…

The link between Phil Napoleon and Red Nichols does not stop at their meeting on this record under the auspices or a new CD edition. The present disc opens with recordings of Red Nichols (five sides in all) and presents him leading his own band, whether it be Red Nichols and His Orchestra or Red and his Big Ten, nine or ten musicians in all. Part of the space devoted to Phil Napoleon includes small formations - five to seven musicians. Phil and Red both were important musicians and both had to suffer from a relative critical exclusion reserved by some to white jazz musicians. Phil recorded a large number of sides between the twenties and the thirties, a time at which he knew considerable success…

Various Artists - Nothing But The Blues 1923-1948 (1998) {40CD Box Set Remastered - The International Music Company AG}
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© 1923-48, 1998 The International Music Company AG, Germany | 201931-302 A/B ~ 201950-302 A/B
Blues / Traditional Blues / Acoustic Blues / Electric Blues / Regional Blues / Folk Blues

40 CD box set. Artists include John Lee 'Sonny Boy' Williamson, Leadbelly, Big Bill Broonzy, Bessie Smith, Muddy Waters, Mississippi John Hurt, Memphis Minnie, John Lee Hooker, Big Joe Williams and many more. 725 tracks all digitally remastered to enhance the original recordings without manipulating the character of the music. Recordings made between 1923 and 1948. 20 double slimline jewel cases housed together in a cardboard box.

Richard M. Jones was more important as a talent scout and an organizer of bands than as a pianist. This Classics CD features Jones as a soloist on two numbers from 1923 ("Jazzin' Babies Blues" and "12th Street Rag"); with the Chicago Hottentots backing the mediocre singer Lillie Delk Christian; playing with Nelson's Paramount Serenaders and Hightower's Night Hawks; and leading his own Jazz Wizards. Among the other players are clarinetist Albert Nicholas, banjoist Johnny St. Cyr, cornetist Shirley Clay, and trombonist Preston Jackson. Although the music is generally not all that classic, this formerly rare material has its strong moments and gives one a good example of middle-of-the-road Chicago jazz of the mid-'20s.