1923-1927 (1990). Pianist Bennie Moten led one of the finest jazz bands on record in the 1920s, a group that included many of the top musicians of the Midwest. On the first of four Classics CDs - all of which are recommended to vintage jazz collectors - that reissue the master takes of all of Moten's recordings, the band quickly evolves from a sextet in 1923 to a solid 11-piece orchestra. Despite a few novelty effects (including clarinetist Woody Walder occasionally getting weird sounds by playing only the mouthpiece of his horn), even the most primitive numbers on this set are quite enjoyable. Highlights include the original version of "South" (Moten's big hit), "Goofy Dust," "Thick Lip Blues" and "Sugar"…
For Romophone, 'complete' means just that. The Ponselle has every playable 'take' made in that period, issued or not, seventeen of them, all fascinating, many never available before and none so precisely pitched…. Ponselle's Romophone CD is self-recommending. What a voice! True, the recordings are, for the most part, primitive in comparison to what we have today. Even so, this glorious and honest voice, so free of artsy affectation, reveals a beauty and artistry that has its roots in the simple perfection of classical Greece and Rome.
This French CD has 24 titles by the Original Dixieland Jazz Band, partly duplicating some other sets (including the Bluebird release) but also includes a few real rarities. Among the latter are versions of "Darktown Strutters Ball" and "Indiana" that rank as the very first jazz records ever made; the liner notes claim that these are from a slightly later remake session (May 31, 1917) but logic and the esteemed discographer Brian Rust place them at January 30. Also quite rare are the four titles ("Some of These Days," "Toddlin' Blues," "Tiger Rag" and "Barnyard Blues") from the ODJB's final recording sessions in 1922-23 before their breakup and the group's 1917 Aeolian recordings which are joined by highlights from their better-known output for Victor. Fascinating early music by easily the best group on records during 1917-21.
The main jazz recordings were made in New York, Chicago, and to a lesser extent New Orleans, but Timeless has produced a series featuring the territory bands. This CD features two fine outfits which recorded in Atlanta during the twenties. Charles Fulcher is represented by two sides recorded for Okeh in 1923, and thereafter for Columbia; five in 1925 (two by his Dance Trio), and one apiece in 1926 and 1929. It's worth noting that all were written by him, including "My Pretty Girl", the most famous version of which was by Jean Goldkette.