Kiss Japan

This album has everything a KISS album should have:hard rock anthems, fast-fingured guitar solos, explosive lyrics, heart-felt power balads and the fun spirit of KISS. If I were to recommend a KISS album to anyone it would be this one simply because its just a really fun album that has something for metal fans as well as ballad loving folks…

Alive! was the album that catapulted Kiss from cult attraction to mega-superstars. It was their first Top Ten album, remaining on the charts for 110 weeks. Culled from shows in Detroit, New Jersey, Iowa, and Cleveland on the Dressed to Kill tour, the record features producer Eddie Kramer doing a masterful job of capturing the band's live performance on record…

Kiss' 1974 self-titled debut is one of hard rock's all-time classic studio recordings. Kiss is chock full of their best and most renowned compositions, containing elements of Rolling Stones/New York Dolls party-hearty rock & roll, Beatles tunefulness, and Sabbath/Zep heavy metal, and wisely recorded primal and raw by producers Richie Wise and Kenny Kerner (of Gladys Knight fame). Main songwriters Stanley and Simmons each had a knack for coming up with killer melodies and riffs, as evidenced by "Nothin' to Lose" and "Deuce" (by Simmons), "Firehouse" and "Black Diamond" (by Stanley), as well as "Strutter" and "100,000 Years" (collaborations by the two).

By the release of their third album, 1975's Dressed to Kill, Kiss were fast becoming America's top rock concert attraction, yet their record sales up to this point did not reflect their ticket sales. Casablanca label head Neil Bogart decided to take matters into his own hands, and produced the new record along with the band. The result is more vibrant sounding than its predecessor, 1974's sludgefest Hotter Than Hell, and the songs have more of an obvious pop edge to them. The best-known song on the album by far is the party anthem "Rock and Roll All Nite," but it was the track "C'Mon and Love Me" that became a regional hit in the Detroit area, giving the band their first taste of radio success.

Ute Lemper - Punishing Kiss (2000) {Decca POCF-1025, Japan Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 393 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 600 dpi (jpg) -> 90 Mb | 5% repair rar
© 2000 Decca Records Japan | POCF-1025
Vocal / Pop / Art Pop / Baroque Pop / Cabaret / Contemporary Pop

Ute Lemper has developed a reputation as a successor to Lotte Lenya with the looks of Greta Garbo or Marlene Dietrich, a northern European chanteuse with a taste for the decadent sound of Weimar Germany; she is arguably the definitive interpreter of Kurt Weill for her generation. Punishing Kiss, her first album devoted primarily to songs by contemporary songwriters, extends her reputation by incorporating the work of artists influenced by Weill. Many listeners not previously familiar with her will be drawn in by the presence of previously unrecorded songs by Elvis Costello (who contributed three selections), Tom Waits (two), and Nick Cave (one). But the primary collaborators on the album are the members of the British group the Divine Comedy, who provide the backing tracks on most of the songs, and three compositions by group members Neil Hannon and Joby Talbot, with Hannon singing duet vocals on three tracks.

Gold is a 2005 greatest hits collection from hard rock band KISS. This two-disc set covers the band's recordings from 1974 to 1982. KISS Gold (2008 Japanese exclusive limited edition 40-track digitally remastered 2-disc SHM-CD album set.

With personnel changes and neglect from a key member of the band, it's amazing ANIMALIZE turned out as well as it did. This record shows Kiss was able to rise above all the groups who copied a style of music that Kiss originated.
After LICK IT UP, "creative differences" pushed lead guitarist Vinnie Vincent out and speed demon Mark St. John in. Without missing a lick, St. John was able to fill Vincent's shoes admirably. Also around this time, Gene Simmons decides to try his hand at acting, starring in such films as "Runaway" and "Wanted Dead Or Alive". Thus, he is listed as Associate Producer but in reality had minimal input. Producer Paul Stanley did a fine job putting his own personal technical stamp on the album. Stanley sings on "I've Had Enough (Into The Fire)," a fast and furious track with motivational lyrics. He also fills in on bass for Simmons on both singles, "Heaven's On Fire" and "Thrills In The Night." Lyrically, Simmon's songs reflect where he was in the 80's with titles like "Burn Bitch Burn" and "Murder In High Heels".