Kuhn

Pianist-composer Joachim Kühn has been a force on the international jazz scene for half a century. Trained as a classical pianist, Kühn migrated to jazz, playing fusion with Alphonse Mouzon, free jazz with Ornette Coleman, and modern jazz in his iconic group with bassist JF Jenny-Clarke and drummer Daniel Humair. On this MPS LP his avant-garde trio featuring Pierre Favre and Peter Warren.

Throughout a career of a half-century and counting, Steve Kuhn has earned renown as one of the most lyrical and affecting pianists in jazz, with an unfailingly beautiful touch and a sophisticated sense of swing. Recorded over the same three-day stretch in May 2002 as "Waltz: Red Side", Steve Kuhn features nine standards and originals with Gary Peacock on bass and Billy Drummond on drums.

Throughout a career of a half-century and counting, Steve Kuhn has earned renown as one of the most lyrical and affecting pianists in jazz, with an unfailingly beautiful touch and a sophisticated sense of swing. Recorded over the same three-day stretch in May 2002 as "Waltz: Blue Side", Steve Kuhn features nine standards and originals with Gary Peacock on bass and Billy Drummond on drums.

Joachim Kühn – *Piano Works I: Allegro Vivace* (2005) is a solo piano album by the German jazz pianist known for his adventurous blend of jazz, classical, and avant-garde styles. This album highlights Kühn’s virtuosic technique, improvisational skill, and expressive range.
*Allegro Vivace* features intricate, energetic compositions alongside introspective moments, showcasing his ability to fuse complex rhythms and harmonies with emotional depth. It’s a compelling listen for fans of innovative solo piano jazz that pushes boundaries while remaining deeply musical.

Like many pianists, Steve Kuhn seems to put out one quality disc after another but doesn't ever seem to get the attention he deserves. This beautifully recorded studio date from 1968, with bassist Palle Danielsson and drummer Jon Christensen, is a good example. Eschewing the typical easygoing approaches to Michel Legrand's "Watch What Happens," he launches into a very brisk bossa nova arrangement. J.J. Johnson's gorgeous ballad "Lament" was never in better hands as Kuhn delivers a shimmering but poignant performance; the piece segues into Gary McFarland's unjustly neglected "Once We Loved." A mini-medley of Burt Bacharach songs, "Windows of the World" and "Here I Am," with its unusual chanting introduction, has also stood the test of time. Carla Bley's "Ad Infinitum" delves briefly into the avant-garde but quickly reverts to post-bop.

After hundreds of shows and thousands of kilometers on tour, KUHN FU celebrates its 10th anniversary with a bang: The double album "Jazz is Expensive/Live in Saalfelden" will be released on October 14th by BERTHOLD records.

2012 release from the Jazz pianist joined by bassist Steve Swallow and drummer Joey Baron. "Wisteria" takes a fresh look at several pieces last heard on record in Kuhn's orchestral Promises Kept collection - "Promises Kept" itself, "Adagio", "Morning Dew" and "Pastorale". Kuhn's compositions, few in number but robust and adaptable, have often lent themselves to quite different interpretations. If anything, these small group versions emphasize the emotional core of the material.

Pianist-composer Joachim Kühn has been a force on the international jazz scene for half a century. Trained as a classical pianist, Kühn migrated to jazz, playing fusion with Alphonse Mouzon, free jazz with Ornette Coleman, and modern jazz in his iconic group with bassist JF Jenny-Clarke and drummer Daniel Humair. Here he teams up with acclaimed German electric guitarist Toto Blanke, the eclectic Afro-American bassist John Lee, and Lee’s long-time playing partner, drummer Gerry Brown (Stevie Wonder, Marcus Miller, Chick Corea, etc.).