L'unique Vinikour

The groundbreaking Roman composer Alessandro Stradella’s unjustly neglected oratorio ESTER, LIBERATRICE DEL POPOLO EBREO shines forth in a sparkling new release from Navona Records. Exploring themes of courage, self acceptance, ambition, justice, and power, this piece tells the story of Esther, a timid girl, secret Jew, and Persian Queen, who summons the bravery to save her people from annihilation. While the oratorio derives its narrative from the old testament’s The Book of Esther, this compelling story of a lone woman challenging an oppressive tyrant is sure to strike a chord, resonating powerfully for modern listeners as it recalls many ongoing conflicts in our world today.

The groundbreaking Roman composer Alessandro Stradella’s unjustly neglected oratorio ESTER, LIBERATRICE DEL POPOLO EBREO shines forth in a sparkling new release from Navona Records. Exploring themes of courage, self acceptance, ambition, justice, and power, this piece tells the story of Esther, a timid girl, secret Jew, and Persian Queen, who summons the bravery to save her people from annihilation. While the oratorio derives its narrative from the old testament’s The Book of Esther, this compelling story of a lone woman challenging an oppressive tyrant is sure to strike a chord, resonating powerfully for modern listeners as it recalls many ongoing conflicts in our world today.

Violinist Rachel Barton Pine and harpsichordist Jory Vinikour, critically acclaimed artists of interntional renown- and also close friends-record together for the first time on this album of J.S. Bach's complete sonatas for violin and harpsichord. The artists approach these works as Bach intended: as trio sonatas with equally important roles for the violin and the harpsichord's treble and bass lines. In addition to the six Sonatas, the album offers the remarkable and ravishingly poetic Cantabile, BWV 1019a, a free-standing work that Bach originally conceived as a movement of the Sonata, BWV 1019. Cedille's audiophile engineering and the intimate acoustics of Evanston, Illinois' Nichols Hall allow the complex trio textures to blossom with detail. In all, the album sets a new standard for a body of work that Bach's son, CPE, considered among his father's finest compositions. Rachel Barton Pine is a Billboard chart-topping artist.

Yes, there was another Cleopatra! She was married to Tigranes the Great, King of Armenia, and together they created an Armenia that reached from the Caspian Sea to the Mediterranean. The resplendent and regal voice of soprano Isabel Bayrakdarian is perfectly suited to the role of Cleopatra. Bayrakdarian shines in arias from three rarely heard operas about King Tigranes and his queen. Bayrakdarians multi-hued voice relates the passion, drama, and fervor of the love story of Tigranes and Cleopatra. Bayrakdarian sparkles in five arias from Il Tigrane by Baroque master Johann Adolph Hasse, famous in his day as one of the foremost composers of opera. Arias by Vivaldi and Gluck add further excitement to the album.Bayrakdarian is supported by the Grammy-nominated team of Constantine Orbelian the singers dream collaborator (Opera News) and his marvellous Kaunas City Symphony Orchestra.

Jory Vinikour's two discs of the keyboard works of Rameau actually contain more than Rameau himself published, including a barn-burner of a finale. In addition to Rameau's five published suites, Vinikour included Rameau's transcriptions for solo harpsichord of selections from the chamber work Pièces de clavecin en Concert; a couple of pieces published separately from Rameau's collections; a piece ascribed to Rameau; and a transcription by Claude Balbastre – another keyboard wizard of the age – of the overture to Pigmalion.