Maria Callas (born Maria Anna Cecilia Sophie Kalogeropoulou), was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her bel canto technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and, further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. Her musical and dramatic talents led to her being hailed as La Divina ("the Divine one").
THE FIRST OF THE TWELVE discs in this collection of Anna Moffo’s RCA recital recordings begins with a 1960 performance of the jewel song from Gounod’s Faust, and that selection, along with the others on this disc, sets out the singer’s basic assets and liabilities. It’s a fresh lyric sound - Moffo was twenty-eight that year - ven throughout the range, accurate in pitch and coloratura, with a good try at a trill.
If you're considering a career in opera, it doesn't hurt to have your parents speaking Swedish and Russian at home while your school teaches you French, German and English. It also helps to have one of the most beautiful tenor tones and strongest technical foundations in the world. The wide-ranging repertoire that resulted for Gedda is explored across 11 CDs…
French Touch is soprano Petibon's 2003 release which features the works of such French composers for example Delibes, Massenet and Offenbach to mention a few. Petibon sings with much enthusiasm and joy which makes it a very enjoyable recording. Yves Abel leads the national orchestra and choir of Lyon. On track she sings duet with mezzo-soprano Karine Deshayes.
The celebrated ‘mad scene’ from Lucia, a role which she will also perform in New York next season, was the starting point of her new recording ‘Dreams’. ‘My instinct was to look at mad scenes,’ she says. ‘But then I widened my horizons, and thought about characters who have found an escape in their dream lives. All the characters I sing here have a dream: for some it is positive, for others it is a kind of nightmare. They dream of a better life, or a prince charming, or being able to live free from fear. I wanted to explore what dreams and madness mean for each character.’