Label Praga

Two arrangements: one, undertaken by Gustav Mahler and revealed in 1984, of the most famous of Schubert’s 15 quartets, Death and the Maiden, of which he completed only the second movement Andante, which he in fact conducted in concert. Nowadays, such an expansion charms like the transfer of Schönberg’s Verklärte Nacht or Berg’s Lyric Suite to orchestra. The other, attempted many times, finally achieves a soloist-orchestra balance that preserves the Arpeggione‘s divertissement nature. Gaspar Cassadó proposed a version for large symphony orchestra that is somewhat overwhelming in relation to the simplicity of the original text. The present version for cello and strings, of which this is the first recording, offers a viewpoint both concertante and da camera that shows the purity, fraternal élan and timeless character of the cello’s melody to best advantage.

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Founded by Czech music expert Pierre- Émile Barbier in 1991, Praga Digitals is now part of the Paris-based record company Little Tribeca, alongside the labels Aparté & Evidence.

While one might wish that cellist Michal Kanka had a more robust tone, one could not wish for a more sensitive tone. While one might wish that pianist Ivan Klansky had a more distinct touch, one could not wish for a more sympathetic accompanist. And while one might wish that their performances of both Brahms' cello sonatas, plus a transcription of his Sonatensatz in C minor, were more recklessly virtuosic, one could not wish for warmer, more lyrical, more soulful performances. It could be that Kanka and Klansky's don't have the chops for Brahms' vigorous writing, but it seems more likely that they're simply going with their hearts. Listen to their Sonatensatz: their central section flows like the milk of human kindness, but their outer sections are desultory, enervated, and weak. While their performances are so sincere that one cannot help but be moved by them, they are still so listless that one grows ever so slightly bored with them. Praga's super audio digital sound is cloudy and damp.

Though heralded as a national hero in his native Hungary, the music of Ernö Dohnányi is often and mysteriously neglected. Dohnányi was not only an accomplished and well-respected composer, he was a brilliant pianist, a much-sought conductor, and a champion of the next generation of Hungarian composers including Bartók and Kodály.

The Prazak Quartet is not only one of the leading string quartets from Czechoslovakia, but among the longest-lived from any country. Although most of the original membership is gone, all the current personnel has been in place since 1986, and two of the three replacements have served since the early or mid-'70s. Not surprisingly, the ensemble has shown a preference for Czech repertory, focusing particularly on Dvorák, Smetana, Janácek, and Martinu. But the group has also demonstrated an affinity for the string quartets of Haydn, Mozart, Schubert, Brahms, and other composers in the Germanic sphere. The repertory extends to the twentieth century as well, encompassing Zemlinski, Schoenberg, Berg, Schulhoff, and many others. The ensemble has made numerous recordings for a variety of labels, pirmarily on Praga, but including Harmonia Mundi, Supraphon, Orfeo, and Nuovo Era. The Prazak Quartet was founded in 1972 by cellist Josef Prazák and violist Josef Kluson, the only current original member. All of the original members were Prague Conservatory students. The makeup of the group changed often in its early years: Vaclav Remes (first violinist) joined the ensemble in 1973; Vlastimil Holek (second violinist) became the next replacement, in 1976; and then in 1986 cellist Michal Kanka replaced Prazák.

The Kocian Quartet has earned the reputation as one of the foremost Czech string quartets of its time. Its repertory is broad, encompassing standards by Haydn, Mozart, and Beethoven, as well as mainstream Czech works by Dvorák, Smetana, Janácek, and Martinu, and little-known fare by Pavel Haas and Hans Krása. But it has also introduced many new works by an array of contemporary Czech composers, including Tichy, Loudova, Kaslik, Kubicka, Riedelbauch, and conductor/composer Rafael Kubelik. The Kocian Quartet has made numerous recordings for several labels, among them Praga and Orfeo.

The Kocian Quartet has earned the reputation as one of the foremost Czech string quartets of its time. Its repertory is broad, encompassing standards by Haydn, Mozart, and Beethoven, as well as mainstream Czech works by Dvorák, Smetana, Janácek, and Martinu, and little-known fare by Pavel Haas and Hans Krása. But it has also introduced many new works by an array of contemporary Czech composers, including Tichy, Loudova, Kaslik, Kubicka, Riedelbauch, and conductor/composer Rafael Kubelik. The Kocian Quartet has made numerous recordings for several labels, among them Praga and Orfeo.

The Czech Philharmonic is the leading symphonic ensemble in the musically rich Czech Republic, with a long history of definitive performances and recordings of Czech repertory. The orchestra has sometimes found itself a topic of political contention as the waves of European history have swept across its homeland. Like many other Central European orchestras, the Czech Philharmonic (the Czech name since 2015 is Česká filharmonie, and the word "orchestra" is no longer part of its name) began as a theater orchestra: a group of orchestral musicians at the Prague National Theatre named themselves the Czech Philharmonic Orchestra in 1894, and in two years, the wisdom of the move became apparent when Dvořák conducted the group in a concert of his own works. By 1901, the Philharmonic was a fully independent entity, and it quickly gained renown beyond Czech borders; Mahler conducted the orchestra in the world premiere of his Symphony No. 7 in 1908.

Founded in 1917 in Budapest, Hungary, the Budapest Quartet became the most internationally successful chamber ensemble of modern times. Across 50 years, and a repertory ranging from Mozart to Bartok, the group brought chamber music of these composers to audiences on two continents, and further popularized the music through their recordings. The Budapest Quartet's original members were Emil Hauser, Imre Poganyi, Istvan Ipolyi, and Harry Son, all of whom had played in the Budapest Opera Orchestra.