Label: Proper

The follow-up to 2017's loose and versatile Gathering, Fever Breaks sees the lauded Idaho-bred singer/songwriter teaming up with producer and Americana wunderkind Jason Isbell and delivering a taut ten-track set backed by Isbell and his formidable 400 Unit. Less prone to stylistic detours than previous outings, Fever Breaks is a straight-up band album, with Ritter and company administering some serious muscle on cuts like "Old Black Magic" and "Losing Battles," the latter of which gives off a distinct Crazy Horse vibe. Dylanesque opener "Ground Don't Want Me" takes a similar approach, but retains a modicum of heartland folksiness, bringing it more in line with Ritter's earlier works.

"You don't like our music cuz it ain't up on the radio," Beak>'s Geoff Barrow sings on >>> with something approaching pride. This contrarian attitude defines the band's third album: Barrow and company could have easily made another album of sinister motorik-driven instrumentals like >>, but this time, they blow up their music. Since Beak> haven't released a full-length in six years and now include Moon Gangs' Will Young among their ranks, some evolution was inevitable. Even so, >>> reveals some drastic changes. The lock grooves that powered Beak>'s first two albums are almost entirely absent, freeing them to double down on their distinctively murky, eerie moods and express them in new ways.

Luck and Strange is David Gilmour's fifth solo record and only his third of the 21st century. The Pink Floyd guitarist clearly understands his life's privilege; he has made some of rock's most memorable music, toured its biggest stages, and been named a Commander of the Order of the British Empire. He could easily coast along for the duration of his career. Instead, he has continued to tour, collaborated widely, advocated for numerous just causes, and donated the money from selling his home and guitars to charity. If he wants to make just one album per decade, he's earned the right.

Urgency has been Pearl Jam's calling card since their inception, which is why it was a jolt to hear the band sound so settled on 2013's Lightning Bolt. Maybe it's the times, maybe it's the choice to switch producers – the group swapped their longtime collaborator Brendan O'Brien for Josh Evans, who co-produced the album with the band – but Gigaton hits with the strength of a full-force gale. Weather is a galvanizing concern on Gigaton, with Pearl Jam structuring their 11th album around the looming climate change crisis.

Luck and Strange is David Gilmour's fifth solo record and only his third of the 21st century. The Pink Floyd guitarist clearly understands his life's privilege; he has made some of rock's most memorable music, toured its biggest stages, and been named a Commander of the Order of the British Empire. He could easily coast along for the duration of his career. Instead, he has continued to tour, collaborated widely, advocated for numerous just causes, and donated the money from selling his home and guitars to charity.

In commemoration with her concert in Japan in July, Sarah Brightman brought a new greatest hits album exclusively released in Japan. The album includes leading songs in her career such as "Time to Say Goodbye (solo version)," "Nessun Dorma," "Canto Della Terra," "Stranger In Paradise," and "Pie Jesu." Features the high-fidelity SHM-CD format. Japanese original release. Tracks 16-18 are bonus tracks.

For Fans of The Guess Who, Bachman-Turner Overdrive, and Classic Rock! The Guess Who is a legendary Canadian band who enjoyed chart-topping hits in the late 60s and early 70s with an impressive catalogue of songs including "American Woman," "These Eyes," and "No Time." During the course of its career, the band has released 11 studio albums, all of which charted in Canada and the United States. The Guess Who is best known internationally for its 1970 album, American Woman, which hit number one in Canada and number nine in the United States, with five other albums also hitting the top ten in Canada.