Label: Proper

Luck and Strange is David Gilmour's fifth solo record and only his third of the 21st century. The Pink Floyd guitarist clearly understands his life's privilege; he has made some of rock's most memorable music, toured its biggest stages, and been named a Commander of the Order of the British Empire. He could easily coast along for the duration of his career. Instead, he has continued to tour, collaborated widely, advocated for numerous just causes, and donated the money from selling his home and guitars to charity.

For Fans of The Guess Who, Bachman-Turner Overdrive, and Classic Rock! The Guess Who is a legendary Canadian band who enjoyed chart-topping hits in the late 60s and early 70s with an impressive catalogue of songs including "American Woman," "These Eyes," and "No Time." During the course of its career, the band has released 11 studio albums, all of which charted in Canada and the United States. The Guess Who is best known internationally for its 1970 album, American Woman, which hit number one in Canada and number nine in the United States, with five other albums also hitting the top ten in Canada.

In commemoration with her concert in Japan in July, Sarah Brightman brought a new greatest hits album exclusively released in Japan. The album includes leading songs in her career such as "Time to Say Goodbye (solo version)," "Nessun Dorma," "Canto Della Terra," "Stranger In Paradise," and "Pie Jesu." Features the high-fidelity SHM-CD format. Japanese original release. Tracks 16-18 are bonus tracks.

The Red Planet is a studio album by English keyboardist Rick Wakeman, released on June 2020 and featuring an alternative line-up of his backing band, The English Rock Ensemble. The Red Planet is Wakeman's first progressive rock album with his English Rock Ensemble since Out There (2003), another rock album of his with connections to space, the others being No Earthly Connection (1976) and 2000 A.D. Into the Future (1993). Wakeman said the album is different to his previous ones with a band, not only that its is instrumental but the diverse styles of music on it.

Some forty years into one of music’s most impactful, sometimes tense and yet curiously enduring partnerships, Tears For Fears have finally arrived together at The Tipping Point – the group’s ambitious, accomplished and surprising first new studio album in nearly two decades. And now, at very long last, Tears For Fears find themselves back in peak form at The Tipping Point, an inspired song cycle that speaks powerfully and artfully to our present tense here in 2021. This is an album that vividly recalls the depth and emotional force of the group’s earliest triumphs. Imagine a far more outward-looking take on TFF’s famously introspective 1983 debut album The Hurting set in an even more mad world, or 1985’s Songs From The Big Chair bravely confronting even bigger issues in our increasingly unruly world. Or even 1989’s The Seeds Of Love that sows a mix of love and other emotions. The Tipping Point is the bold, beautiful and powerful sound of Tears For Fears finding themselves together all over again.

Only fans who follow UB40 closely will be aware that, as of 2013, there have been two different bands performing under the name UB40. The UB40 who perform with no caveats attached to their appellation are fronted by Duncan Campbell, the brother of Ali Campbell, who led the band through its peaks in the '80s and '90s. Ali acrimoniously left the group in 2008, soon followed by fellow vocalist Astro and keyboardist Mickey Virtue, leaving the remaining UB40 to be something of an upscale Reggae Sunsplash act, churning out reggae-fied covers of old pop and rock standards.

As her 1993 blockbuster debut approached its 25th anniversary, Toni Braxton proceeded to collect accolades while moving forward. Her duets album with Babyface was designated Best R&B Album in 2015 by the Recording Academy – making her a Grammy winner in three decades – and the connection with her foundational audience was reaffirmed in 2017 with a Soul Train Legend Award. Her every-few-years release schedule was maintained with this short album, in which she responds to a habitually philandering lover with her distinctive mix of fire and finesse. This has more of the former element than any previous Braxton release.

John Edward Illsley is an English musician, best known as bass guitarist of the rock band Dire Straits. With it, he has received multiple BRIT and Grammy Awards, and a Heritage Award. As one of the founding band members, with guitarist brothers Mark and David Knopfler, and drummer Pick Withers, Illsley played a role in the development of Dire Straits' sound. By the time the group disbanded in 1995 changes in personnel meant that Illsley and lead singer Mark Knopfler were the only two original band members remaining. Illsley was inducted into the Rock and Roll Hall of Fame as a member of Dire Straits in 2018. Illsley has produced two albums of his own, with Mark Knopfler as a guest musician, and has helped with Mark's personal projects and charities.

The Great Performances/Great Songs series by Verve is a new attempt to get prospective buyers interested in its vast jazz catalog by introducing them to large-scale hits by artists who appeared either on its label proper, or on one of its licensees'. In the case of saxophonist Grover Washington, Jr., these are sides he cut for Creed Taylor's Kudu imprint - Motown’s jazz label at the time - between 1971 and 1978. The six selections are all covers of very popular soul or pop numbers, and come from recordings like Inner City Blues, All the King’s Horses, and Soul Box, Vol. 2, though the gorgeous reading of Billy Joel's “All the Things You Are” comes from 1978’s Reed Seed. Other tracks included here are stylish renditions of “Where Is the Love?,” “Georgia on My Mind,” Marvin Gaye's “Mercy Mercy Me (The Ecology Song),” a reggae version of Bill Withers’ “Lean on Me,” and Stevie Wonder’s "You are the Sunshine Of My Life”…