Land ho

JUNO-nominated Lands End Ensemble (John Lowry, violin; Beth Root Sandvoss, cello; Susanne Ruberg-Gordon, piano; Vincent Ho, artistic director) is dedicated to introducing audiences to new music by Canadian and international composers, and to performing landmark chamber works of the 20th and 21st centuries. With a history of successful recordings and several award nominations, Land's End Ensemble's second recording celebrating their 20th anniversary features new works by four award-winning Canadian composers: Vincent Ho, Omar Daniel, Analia Llugdar, and Derek Charke. Guest performers include JUNO-nominated percussionist Ben Reimer and conductor Karl Hirzer.

Quantitative research with respect to the combination of engineering and socialcultural- religious aspects based on the Tri Hita Karana philosophy in Subak irrigation schemes is original in the field of land and water development.

As climate change and urban development are closely interlinked and often interact negatively, this edited volume takes Ho Chi Minh City (HCMC), Vietnam’s first mega-urban region as a case study to analyse its vulnerability to climate change and to suggest measures towards a more sustainable urban development.

As climate change and urban development are closely interlinked and often interact negatively, this edited volume takes Ho Chi Minh City (HCMC), Vietnam’s first mega-urban region as a case study to analyse its vulnerability to climate change and to suggest measures towards a more sustainable urban development.

This monograph contributes to the field of institutional change and property rights reform in (former) socialist economies with particular reference to China.

With this release,Hodgson dove head first into the '80s sound, both with production and instruments. Gone was the music of Supertramp(long, drawn-out prog/art rock pieces), and in its place, '80s dance-pop, not unlikeWang Chung. Hodgson wanted to leave the past behind him, and with the help of top session players (including drummer Jeff Porcaro), he seemed to want to branch out and experiment with other forms of music, such as reggae, pop, dance, and synth pop. The problem is that for the most part, it did not work.