Las Lloronas

In their 50 historic years entertaining generations of enthusiastic fans, The Osmonds collectively and individually have recorded 142 albums which have sold over 100 million copies worldwide. They hold 51 Gold and Platinum sales awards, and their concerts have set attendance records around the world.

Def Leppard dove into the classic-albums-in-their-entirety trend via an 11-date residency at the Hard Rock in Las Vegas, performing 1987's Hysteria from start to finish, adding other classic hits to round out the set. More interestingly, taking a tip from Joe Elliott's Mott the Hoople tribute side project the Down 'n' Outz, Def Leppard opened for themselves, performing as Ded Flatbird and running through rarities and early hits that they have rarely played live in the years since becoming superstars…

For the first time ever, Def Leppard played their album Hysteria in its entirety during an eleven-show residency which started on March 22, 2013 at The Joint in the Hard Rock Hotel And Casino in Las Vegas. The band also opened for themselves under the fictitious name of Ded FlatTbird for two different sets on each of the nights. During those Ded FlatTbird sets, the band showcased some fan favorites and rare songs from the early years of the band in addition to playing a selection of their greatest hits, highlighting classic material from throughout their career. The Viva! Hysteriashow featured an elaborate set design created specifically for Def Leppard 's Las Vegas residency.

While the sales of Sarah Brightman's ambitious, Middle Eastern-themed 2003 album Harem may have fallen short of its predecessor, the veteran UK chanteuse's popularity as a live performer has only mushroomed. This live recording of her ambitious, sold-out Harem World Tour engagement at Las Vegas' MGM Grand Arena is testament to that appeal, begging the question: Will Brightman become the Grateful Dead of classical crossover? Indeed, abetted by the rich sonic textures of longtime producer/collaborator Frank Peterson, the worldbeat conceits of her recent studio recordings are folded into a larger, even more expansive live vision here. Brightman's overt dramatic instincts and oft-chaemeleonic vocal abilities drive a slate of material that stretches from the Arabian Nights/Madame Butterflypastiche of Harem's seductive "It's A Beautiful Day" through surprisingly effective classical/rock reinventions of Kansas' "Dust in the Wind" and The Moody Blues' chestnut "Nights in White Satin" to expected classical bowings "Nessun Dorma" and the obligatory nod to "Phantom of the Opera"Harem's East-meets-Eurodisco sensibility will also welcome the melodic new studio bonus cut, "Snow in the Sahara."

–Jerry McCulley