Leo Sayer

All the Best certainly lives up to its title, offering 17 of Leo Sayer's most popular pop efforts, including each of his Top 40 singles. Beginning with "The Show Must Go On," a frolicking vaudeville-type number with Russ Ballard playing banjo and a number four hit for Three Dog Night, the set entertainingly works its way through the years to reveal Sayer's adeptness at singing ballads and his overly effective pop melodramatics. The disco-flavored "You Make Me Feel Like Dancing" was a number one hit for him in 1976, followed by the syrupy "When I Need You," which accomplished the same feat only four months later. Both singles came from Endless Flight, a platinum seller that also yielded a minor hit with "How Much Love," and would prove to be Sayer's strongest album.

Living in a Fantasy is the last album to yield hits for Leo Sayer in America, closing out the terrific '70s run as the '80s began. A-ha/Bow Wow Wow/Squeeze producer Alan Tarney chooses to keep the production slick and sparse, the large mix of musicians who helped craft albums like Thunder In My Heart, Endless Flight, Here, World Radio, and others vanishes as the singer goes back to the pared-down format of his Just a Boy period. The big difference is that Sayer had gone beyond the singer/songwriter personality of those early recordings to having marquee value, as well as his own TV show.

"Thunder in My Heart" and "Easy to Love" barely nicked the Top 40, and of his eight chart hits from 1975 to 1981, these two were the weakest, but this disco album by the quirky singer, once again produced by Richard Perry, is listenable and has more than its share of good players. Olivia Newton-John songwriter Tom Snow co-wrote the title track with Sayer, while Albert Hammond helped out on the second song and follow-up hit. Half of the ten songs are Snow co-writes, with Hammond, Michael Omartian, Bruce Roberts, and others all contributing. The second Hammond/Sayer title, "I Want You Back," is a pleasant album track, but with Omartian on piano, Jeff Porcaro on drums, and Larry Carlton on guitar, Perry could just put the session on automatic pilot.