Leo Sayer

"I'm No Hero" is a 1980 album by Cliff Richard. The album features three hit singles, including "Dreamin'" and "A Little in Love", which were top 20 hits in both the UK and the US. The album received positive reviews and kept Richard high in the charts during this, his revival period. It was also the last time he would appear in the US top 20. Album track "Give a Little Bit More", which was co-written by Andy Hill, who was about to become famous as writer and producer for Bucks Fizz, was released in some countries as a single, as was "In the Night" - although this wasn't the same as the Barbara Dickson song which was released around the time (and was also produced by Tarney). "Give a Little Bit More" gave Richard a third hit from the album in the US, peaking at #41.

Something about the 1975 Loss Leader, I Didn’t Know They Still Made Records Like This, seems a little different… yet the same. Starting with the album cover, whose design reeks of some long-ignored graphics designer and photographer teaming up to hatch a surefire scheme to meet hot cover models. Then there’s the curious song selection. It’s always great to hear Van Morrison’s “Moondance,” but the album it came from was released five years prior, in 1970, while Randy Newman’s “Mama Told Me Not To Come” comes from his already ancient ’71 live album. Joni Mitchell’s “Carey” is from her 1971 LP, Blue, and Arlo Guthrie’s cover of “City Of New Orleans” was first issued in 1972. Now… these are all great songs, and considered ‘should-owns’ for any collection, but on the surface it looks like Warners didn’t have any new music to promote. Perhaps they were just pushing the back catalog, or maybe it’s as the cover suggests… they don’t make records like this anymore, and here are some of them again to remind you. The uncredited liner notes offer no reasoning, and are more historical than revelatory. So, I Didn’t Know They Still Made Records Like This ends up being an oddball entry in the ongoing series… one that wasn’t even advertised all that much (if at all) via inner sleeves, either. All the while stylistically seeming like an earlier edition in the series, thanks to the older material. Something I didn’t know (or just refused to remember) is that Leo Sayer’s career was kickstarted when The Who’s Roger Daltry specifically picked him to write songs for his debut solo album. Now you know who to blame.

Housed in suitably evocative artwork and a stylish clamshell box design, Separate Paths Together provides a wide-ranging, four-hour overview of the pop stars, the club folkies, the rock band refugees, the stoned poets, the political agitators, the wry humorists and the bedsit bards that came together to make up a vibrant, multifaceted scene.

100 Sensational Sounds Of the Seventies! Chartbusting tunes from T.Rex, The Jacksons, Bay City Rollers, Heatwave & The Drifters.

Grooving its way out of your hi-fi like a late night television ad with a mind of its own comes Billboard Top Hits: 1975-1979. A generous of mix of R&B and AM pop-charting singles, the set boasts three Elton John songs, two tracks from KC & the Sunshine Band, the aching disco of Thelma Houston's "Don't Leave Me This Way," a few forgotten nuggets, and, of course, "Y.M.C.A." Because of their adherence to each year's charts, the five discs do have some continuity issues. But it's almost more fun that way. One second you're getting your groove on to Heatwave's "Boogie Nights," the next, you're screwing your face up to sing like Leo Sayer in "You Make Me Feel Like Dancing"." Rhino's Have a Nice Day and Disco Years series are more detailed in both hits and rarities. However, Billboard Top Hits benefits from its own brevity, and is as easy to enjoy than an old episode of Happy Days.

The best collection of tracks 100 Hits: Car Songs 2 from well-known labels, the recent tracks from radio stations and all of this with dignity displayed this project. Car Songs 2 is the follow up to the massive selling 100 Hits Car Songs and includes uplifting classics from The Script, Toto, Dead Or Alive and many more. We control music catalogues from a number of high profile artists across a number of genres including Suede, T. Rex, Ian Dury, Belinda Carlisle, The Beat and many more.

Nile Rodgers - "When the label asked me to put together a track list for Disco Inferno I was like 'YEAH! When do I start?'
The biggest challenge was narrowing the choices down to sixty four tracks from a starting point of several hundred. But the guys at the label gave me some direction as to the shape of the album - a mix of hits and more unusual stuff. I've drawn not only on my own personal production history but also on my extensive knowledge of disco, funk and soul music - I guess - having had years of first-hand dance floor experience from landmark era clubs such as Studio 54".