Let's Talk 2

Let's Talk About Love is the fifth English-language studio album by Canadian singer Celine Dion, released on 14 November 1997, by Columbia/Epic Records. The follow-up to her commercially successful album Falling into You (1996), Let's Talk About Love showed a further progression of Dion's music. Throughout the project, she collaborated with Barbra Streisand, the Bee Gees, Luciano Pavarotti, Carole King, George Martin, Diana King, Brownstone, Corey Hart and her previous producers: David Foster, Ric Wake, Walter Afanasieff, Humberto Gatica and Jim Steinman. Let's Talk About Love includes Dion's biggest hit, "My Heart Will Go On". Written by James Horner and Will Jennings, and serving as the love theme for the 1997 blockbuster film Titanic, "My Heart Will Go On" topped the charts around the world, and has become Dion's signature song.

Of all the quickie dates produced by Ralph Bass in 1977 for a project that never came to real fruition, Lonnie Brooks's contribution to the series is likely the most satisfying – thanks to a tight band (his working unit at the time) and a sheaf of imaginative originals (notably "Crash Head on into Love," "Greasy Man," and the title cut). An ingenious reworking of Lowell Fulson's "Reconsider Baby" doesn't hurt either.

Mark Sandman (Morphine) - Sandbox, The Music Of Mark Sandman (2004) {2 CD plus DVD5 NTSC, Hi-N-Dry Recordings 85524 00011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 714 Mb | MP3 @320 -> 266 Mb
DVD5 -> 3.58 Gb | All Regions | NTSC 4:3 | Dolby AC3, 2 ch | ~ 197m | ISO Image
Full Artwork @ 300 dpi (png) -> 223 Mb | 5% repair rar
© 2004 Hi-N-Dry Recordings | 85524 00011
Rock / Low Rock / Indie Rock / Jazz Noir

Morphine leader Mark Sandman was the inventor of a sound called "low rock" — the distinctive blend of sonorous saxophone, bass and deep grooves that, along with Mark’s lyric poetry, propelled Morphine to fame. But Mark created much more than the brilliant music of Morphine. He was a tireless musical experimenter who wrote and recorded constantly throughout his life. Although Morphine and the seminal swamp-blues quartet Treat Her Right became well known and successful, much of his work was never commercially released and remains unheard — except by his large circle of friends, who he regularly commandeered to critique his latest, usually over a bottle of Patron.